A work in constant progress (and occasional regress).
Release Date:
September 10, 2018
Original Title:
The Witch Files
Alternate Titles:
Der Hexenzirkel
The Witch Files
Досье ведьмы
Genres:
Horror | Thriller
Production Companies:
Cocksure Entertainment
Monopol Film Company
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 US: NR
Runtime: 87
A coven of young women with incredible powers and difficult pasts discovers that they are able to make their every wish come true. Things, however, take a dangerous turn when they discover that their newly-found abilities come with a price and that they may not be as in control as they think.
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Additional Editor:
Tony Copolillo
Art Direction:
Laura Lienert
Assistant Makeup Artist:
Ariel Johnson
Associate Producer:
Ginger Taylor
Casting:
Freddy Luis
Co-Producer:
Sara Friedman
Bill Martin
Kumi Martin
Costume Design:
Paula Marie Gallucci
Director:
Kyle Rankin
Director of Photography:
Aitor Uribarri
Editor:
Kent Beyda
Executive Producer:
Tony Copolillo
Eric Dexter
Extras Casting:
Leigh Rousson
First Assistant Director:
John Hermann
First Assistant Editor:
Gabriel Thorburn
Foley Artist:
Lorita de la Cerna
Gaffer:
Harper Alexander
Hair Department Head:
Kristin Nawrocki
Key Makeup Artist:
Ari Rosenbaum
Key Production Assistant:
Cody Morgan
Line Producer:
Andy Selsor
Music Supervisor:
Dev Sherlock
Producer:
Paget Brewster
Kyle Rankin
Holly Taylor
S.C.V. Taylor
Production Assistant:
Christina Sours
Production Supervisor:
Richard Wofford
Second Assistant Camera:
Daniel C. Sinclair
Second Assistant Director:
Nicholas Stewart
Stunt Coordinator:
Mark Bedell
Supervising Producer:
Richard Wofford
Supervising Sound Editor:
Trip Brock
Visual Effects Supervisor:
Tony Copolillo
Writer:
Kyle Rankin
Larry Blamire
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.