A work in constant progress (and occasional regress).
Release Date:
May 18, 1999
Original Title:
The Five Senses
Genres:
Comedy | Drama | Romance
Production Companies:
Alliance Atlantis
CBC Films
CTF | FCT
CTV
Canadian Film or Video Production Tax Credit
Five Senses Productions
Government of Canada
The Harold Greenberg Fund
The Movie Network
Téléfilm Canada
Production Countries:
Canada
Ratings / Certifications:
FR: U US: R
Runtime: 106
Interconnected stories examine situations involving the five senses. Touch is represented by a massage therapist who is treating a woman, while her daughter accidentally loses the woman's pre-school daughter in the park. The older daughter meets a voyeur (vision), a professional house-cleaner has an acute sense of smell, a cake maker has lost her sense of taste, and an older man is losing his hearing.
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ADR Editor:
Angie Pajek
Art Direction:
James Phillips
Assistant Hairstylist:
Jeanette Stawiarski
Assistant Makeup Artist:
Mary Monforte
Associate Producer:
Shimmy Brandes
Regine Schmid
Co-Executive Producer:
Wolfram Tichy
Costume Design:
Gersha Phillips
Dialogue Editor:
Ed Douglas
Director:
Jeremy Podeswa
Director of Photography:
Gregory Middleton
Editor:
Wiebke von Carolsfeld
Executive Producer:
David R. Ginsburg
Ted East
Charlotte Mickie
Key Hair Stylist:
Debra Johnson
Key Makeup Artist:
Sylvain Cournoyer
Line Producer:
Dean Perlmutter
Original Music Composer:
Alexina Louie
Alex Pauk
Producer:
Camelia Frieberg
Jeremy Podeswa
Production Design:
Taavo Soodor
Set Decoration:
Darryl Dennis Deegan
Erica Milo
Sound Effects Editor:
Garrett Kerr
Writer:
Jeremy Podeswa
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.