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Dead End Drive-In (1986) [R]

Release Date:
August 13, 1986

Original Title:
Dead End Drive-In

Alternate Titles:
Campo de Exterminio
Dead End
Dead End Drive In - OZ
Dead End Drive-In
Drive-in 2000
Escalation
Jigoku no Dasshutsu: Deddo Endo
Kino w ślepym zaułku
Le Drive in de l'enfer
Star Drive-In: Campo de Exterminio
Είσοδος Θανάτου
地獄の脱出/デッド・エンド

Genres:
Action | Horror | Science Fiction

Production Companies:
New South Wales Film Corp.
Springvale Productions

Production Countries:
Australia

Ratings / Certifications:
AU: R 18+|M  DE: 18  US: R 

Runtime: 87

There's a party every day, a movie every night, and all the junk food you can eat. What more can a kid want... except to get out.

Overview from TheMovieDB

In the future, a health nut and his tag-along girlfriend become trapped in a drive-in theater that has become a concentration camp for outcast youths.

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Additional information:

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Performers

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Production

ADR Mixer:
Troy Porter

Art Direction:
Nicholas McCallum

Assistant Grip:
Wayne Marshall
John Tate

Camera Operator:
Kevan Lind

Clapper Loader:
John Platt

Continuity:
Sian Fatouros

Costume Design:
Anthony Jones

Director:
Brian Trenchard-Smith

Director of Photography:
Paul Murphy

Editor:
Lee Smith
Alan Lake

First Assistant Director:
Adrian Pickersgill

First Assistant Editor:
Sue Blainey

Focus Puller:
John Lomax

Gaffer:
Colin Chase
Mick Morris

Hairstylist:
Patricia Newton

Key Grip:
Noel McDonald

Makeup Artist:
Lloyd James
Annette Hardy

Original Music Composer:
Frank Strangio

Producer:
Andrew Williams

Production Design:
Lawrence Eastwood

Second Assistant Director:
John Titley

Sound:
Les Fiddess

Sound Mixer:
Martin Oswin

Special Effects:
Alan Maxwell
Peter Evans

Special Effects Coordinator:
Chris Murray

Still Photographer:
Robbie Gribble

Story:
Peter Carey

Stunt Coordinator:
Guy Norris

Visual Effects:
Roger Cowland

Writer:
Peter Smalley

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.