A work in constant progress (and occasional regress).
Release Date:
March 4, 2011
Original Title:
Happythankyoumoreplease
Alternate Titles:
Happy Thank You More Please
Happy thank you more please
Jóvoltköszönömkérekmég
Kärlek i New York
Kærlighed i New York
Счастливо Спасибо Еще Пожалуйста
Genres:
Comedy | Drama | Romance
Production Companies:
Back Lot Pictures
Haven Entertainment
Paper Street Films
Tom Sawyer Entertainment
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 SE: Btl US: R
Runtime: 100
Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who's having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam's life revolves around his friends — Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam's eye.
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Art Direction:
Chris Trujillo
Casting:
Suzanne Smith Crowley
Jessica Kelly
Co-Executive Producer:
Rupert Hope
Jimmy Balodimas
Costume Design:
Sarah Beers
Director:
Josh Radnor
Director of Photography:
Seamus Tierney
Editor:
Michael R. Miller
Executive Producer:
Glenn Williamson
Peter Sterling
Bingo Gubelmann
Makeup Artist:
Amanda Korfine
Producer:
Chris Papavasiliou
Jesse Hara
Benji Kohn
Austin Stark
Production Design:
Jade Healy
Screenplay:
Josh Radnor
Script Supervisor:
Laurifer Abrams
Set Decoration:
Scott Kuzio
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.