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The Lady Vanishes (1979) [PG]

Release Date:
April 30, 1979

Original Title:
The Lady Vanishes

Alternate Titles:
Die Tödliche Botschaft
Une femme disparaît
レディバニッシュ
レディバニッシュ 暗号を歌う女
暗号を歌う女

Genres:
Comedy | Mystery | Romance | Thriller

Production Companies:
Hammer Film Productions
The Rank Organisation

Production Countries:
United Kingdom

Ratings / Certifications:
US: PG 

Runtime: 97

Had she vanished into thin air...Or was she never really there?

Overview from TheMovieDB

On the eve of World War II, zany heiress Amanda Kelly travels by train to Switzerland. While passing through Germany, she meets a sweet elderly lady, who suddenly vanishes. Distraught, she questions her fellow passengers who claim that the woman was never there. Unsure if it's all in her mind or if there's a more sinister plot afoot, Amanda teams up with photographer Robert Condon to discover the truth.

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Performers

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Production

Art Direction:
William Alexander

Assistant Director:
Michael Mertineit
Michael Dryhurst

Camera Operator:
Chic Waterson

Casting:
Allan Foenander
Irene Lamb

Continuity:
Kay Rawlings

Costume Design:
Emma Porteous

Director:
Anthony Page

Director of Photography:
Douglas Slocombe

Editor:
Russell Lloyd

Executive Producer:
Arlene Sellers
Alex Winitsky
Michael Carreras

First Assistant Camera:
David Wynn-Jones

Hair Department Head:
Stephanie Kaye

Location Manager:
Christian Jungbluth
Dusty Symonds

Makeup Supervisor:
Neville Smallwood

Music Director:
Philip Martell

Novel:
Ethel Lina White

Original Music Composer:
Richard Hartley

Producer:
Tom Sachs

Production Design:
Wilfred Shingleton

Production Supervisor:
Nick Gillott
Albert Schwinges

Screenplay:
George Axelrod

Sound Editor:
Alfred Cox

Sound Mixer:
Peter Handford

Wardrobe Supervisor:
Jackie Cummins

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.