A work in constant progress (and occasional regress).
Release Date:
October 26, 2017
Original Title:
24 Hours To Live
Alternate Titles:
24 heures à vivre
24 ur do smrti
24 години на життя
24小時:末路重生
Du lebst noch 24 Stunden
Genres:
Action | Mystery | Science Fiction | Thriller
Production Companies:
Film Afrika
Fundamental Films
Thunder Road
Production Countries:
China | South Africa | United States of America
Ratings / Certifications:
BR: 16 CH: 16 DE: 16 ES: 16 FR: 12 GB: 15 HU: 16 IE: 15 JP: R15+ PL: 16 RO: 15 RU: 18+ US: R
Runtime: 94
An assassin seeks redemption after being given a second chance at life.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Camera:
George Loxton
Armorer:
Brian Wentzel
Art Direction:
Patrick O'Connor
Assistant Makeup Artist:
Marike Liebetrau
Boom Operator:
Bruce K. Malala
CG Supervisor:
Roy Malhi
Camera Operator:
Lars Cox
Casting:
Antonia Murphy
Christa Schamberger
Co-Producer:
Taylor Zea
Construction Coordinator:
George Brain
Gigi Potter
Costume Coordinator:
Abigail Metcalfe
Costume Design:
Kate Carin
Costume Supervisor:
Joanne Walter
Digital Compositor:
Byron Tofas
Digital Intermediate:
Matt Blackshear
Griffith Davies
Josh Fapp
Digital Intermediate Colorist:
Sean Dunckley
Director:
Brian Smrz
Director of Photography:
Ben Nott
Dolly Grip:
Zahir Karriem
Editor:
Elliot Greenberg
Electrician:
Nathan Erasmus
Uri Maree
Gordon Paterson
Winston Jezile
Epk Camera Operator:
Adam Asmal
Executive Producer:
Kent Kubena
Jon Kuyper
Gary Glushon
Jonathan Furman
Fight Choreographer:
Grant Powell
First Assistant Director:
Lisa C. Satriano
First Assistant Editor:
Emily Chiu
First Assistant Sound Editor:
Gayle Wesley
Gaffer:
Wayne Shields
Hair Department Head:
Christa Schoeman
Key Makeup Artist:
Natasha du Toit
Location Manager:
Gray Sinclair
Makeup Department Head:
Christa Schoeman
Modeling:
Joe Tsung-Yu Wu
Music Editor:
Steven A. Saltzman
Music Supervisor:
Laura Katz
Original Music Composer:
Tyler Bates
Producer:
Basil Iwanyk
Gregory Ouanhon
Mark Gao
Production Design:
Colin Gibson
Production Manager:
Megan Korzynski
Rigging Gaffer:
Wiseman Dinizulu
Rigging Grip:
Thembekile Kebeni
Regan Mitchell
Script Supervisor:
Reinier Smit
Set Costumer:
Terence Norman
Set Decoration:
Fred Du Preez
Sound Designer:
Karen Vassar Triest
Sound Re-Recording Mixer:
Beau Borders
Special Effects Coordinator:
Doug Hardy
Tyrell Kemlo
Special Effects Supervisor:
Cordell McQueen
Special Effects Technician:
Julian Koberman
Mxolisi Alfred Mkhutshwa
Emil Snyman
Sithembiso Sontshaka
Steadicam Operator:
Dale Rodkin
Still Photographer:
Coco Van Oppens
Stunt Coordinator:
Colin Follenweider
Mick 'Stuntie' Milligan
Stunt Driver:
Abigail Hard
Stunts:
Kabelo Bouga Chalatsane
Armando De Leca
Jacques du Plessis
Toni Jean Erasmus
Matt Esof
Brenda Firmani
Craig Fox
Cameron Froud
Warren Germishuys
Linda Jewell
Malin Kirjonen
Tuks Tad Lungu
Alwyn Marx
Anton Moon
Slobo Panovic
Ernest St.Clair
Frans Steyn
Caleb Tennant
Hope Thangata
Matthew Van Leeve
DeVille Vannik
Shaun Verth
Ian Williamson
Samantha Willoughby
Supervising Art Director:
Darryl Hammer
Supervising Sound Editor:
Kelly Oxford
Darren Sunny Warkentin
Title Designer:
Aaron Becker
VFX Lighting Artist:
Sean Maddock Wilkins
Damien Mahoney
VFX Supervisor:
David Nelson
Visual Effects Editor:
Stephanie Traut
Ryan Brassington
Visual Effects Producer:
Linda Luong
Visual Effects Supervisor:
Jason Billington
Marco Raposo de Barbosa
Mike F. Hedayati
Writer:
Jim McClain
Ron Mita
Zach Dean
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.