A work in constant progress (and occasional regress).
Release Date:
November 24, 2017
Original Title:
The Cured
Alternate Titles:
The Cured - Infiziert Geheilt Verstossen
The Third Wave
Genres:
Drama | Horror | Science Fiction
Production Companies:
Bac Films
Savage Productions
Tilted Pictures
Production Countries:
Ireland
Ratings / Certifications:
DE: 16 GB: 15 IE: 15 JP: G PL: 16 US: R
Runtime: 95
What happens when the undead return to life? In a world ravaged for years by a virus that turns the infected into zombie-like cannibals, a cure is at last found and the wrenching process of reintegrating the survivors back into society begins.
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Additional Editor:
Brian Philip Davis
Art Direction:
Francis Taaffe
Boom Operator:
Steve Jackson
Simon Murphy
Camera Operator:
Tommy Fitzgerald
Casting:
Louise Kiely
Thyrza Ging
Costume Design:
Tiziana Corvisieri
Costume Supervisor:
Caroline Harrington
Dialogue Editor:
Stuart Pearson
Director:
David Freyne
Director of Photography:
Piers McGrail
Editor:
Chris Gill
First Assistant Camera:
Cormac O'Omáille
Gaffer:
Tim Fletcher
Hair Department Head:
Niamh Glynn
Hairstylist:
Belinda Roche
Location Manager:
Karl Daly
Makeup Designer:
Julie-Ann Ryan
Original Music Composer:
Rory Friers
Niall Kennedy
Producer:
Rachael O'Kane
Rory Dungan
Elliot Page
Production Design:
Conor Dennison
Property Master:
Jim Walsh
Prosthetic Designer:
Julie-Ann Ryan
Script Supervisor:
Dave Moran
Set Decoration:
Kevin McCabe
Sound Designer:
Jens Rosenlund Petersen
Sound Re-Recording Mixer:
Paul Maynes
Supervising Sound Editor:
Jens Rosenlund Petersen
Visual Effects Supervisor:
Darren Nash
Writer:
David Freyne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.