A work in constant progress (and occasional regress).
Release Date:
October 3, 2013
Original Title:
2021
Alternate Titles:
Twenty Twenty-One
Two Thousand Twenty-One
Genres:
Drama | Science Fiction
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 87
John Cooper is a computer programming genius who starts working on a project to reverse engineer human intelligence using a map of the human genome. John becomes increasingly disillusioned and severely depressed as he begins to question any possible meaning of human thoughts and emotions that can be replicated on computer software. On the verge of a mental breakdown, he meets Emily-a shy, bohemian novelist that is unable to find emotional sustenance outside of the world of her own writing. This is the story of two lost souls searching for a shadow of love in an increasingly alienating modern world.
Director:
Dave Ash
Producer:
Michael Lent
Script Editor:
Michael Lent
Story Editor:
Michael Lent
Writer:
Dave Ash
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.