A work in constant progress (and occasional regress).
Release Date:
December 13, 2002
Original Title:
Pavement
Alternate Titles:
Die Spur des Mörders
O ihnilatis
Traque à San Francisco
Genres:
Mystery | TV Movie | Thriller
Production Companies:
ApolloProMedia GmbH & Co. 2. Filmproduktion KG
Film Afrika
Motion Picture Corporation of Europe (MPCE)
Production Countries:
Germany | South Africa
Ratings / Certifications:
US: R
Runtime: 91
Samuel Browne is a tracker in Alaska. When his sister meets a grisly death in San Francisco, he goes there to hunt her killer. As more murders occur, police investigator Buckley Clarke reluctantly joins forces with Sam. The brass are convinced this is a serial killer choosing victims at random, but Sam and Buckley discover a pattern involving health personnel who work in neonatal intensive care. Doctors aren't supposed to play god, but someone's decision years before has driven a killer over the brink. Can they find him?
Associate Producer:
Reuben Liber
Casting:
Benedicte Roumega
Christa Schamberger
Casting Associate:
Bill Kravitz
Cinematography:
Giulio Biccari
Co-Producer:
Julia Verdin
Costume Design:
Diana Cilliers
Director:
Darrell James Roodt
Editor:
Ronelle Loots
Executive Producer:
David Wicht
Jörg Westerkamp
Line Producer:
Nina Heyns
Location Manager:
Robert Bentley
Location Scout:
Shavonne Hill
Music:
Anthony Marinelli
Post Production Supervisor:
John Portnoy
Producer:
Frank Hübner
Brad Krevoy
David Lancaster
Adam Richman
Production Coordinator:
Sarah Mitchell-Innes
Barry R. Nolan
Production Design:
Tom Hannam
Production Manager:
Jo Kirsten
Script Supervisor:
Kim Robinson
Set Decoration:
Fred Du Preez
Nicky Homann
Supervising Producer:
Reinhild Gräber
Title Designer:
Inka Kendzia
Unit Manager:
Paul Acutt
Writer:
Charles Hansen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.