A work in constant progress (and occasional regress).
Release Date:
December 15, 2023
Original Title:
The Zone of Interest
Alternate Titles:
Dream Concentration Camp
Huvivöönd
KP24: Interesų zona
La zona de interés
منطقه مورد علاقه
더 존 오브 인터레스트
Genres:
Drama | History
Production Companies:
A24
Access Entertainment
Extreme Emotions
Film4 Productions
JW Films
Production Countries:
Poland | United Kingdom | United States of America
Ratings / Certifications:
AU: M CZ: 12+ DE: 12 DK: 7 ES: 12 FI: K-12 GB: 12A|12 HK: IIA ID: 13+ IN: UA KR: 12 LT: N-13 MX: B NL: 12 NO: 12 NZ: M PR: PG-13 PT: M/12 SE: 11 TH: 13 TR: 13A TW: 6+ US: PG-13 VI: PG-13
Runtime: 105
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
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ADR Recordist:
Oliver Vorderbruegge
Additional Casting:
Katrin Vorderwülbecke
Administration:
Elżbieta Śnigórska
Agnieszka Stanek
Magdalena Plucennik
Art Department Coordinator:
Jadwiga Bocheńska
Assistant Camera:
Bartosz Toboła
Assistant Editor:
Ludwik Sielicki
Assistant Production Manager:
Maja Krężel
Łucja Dylewicz
Kornelia Kamieniarz
Maciej Wąsiel
Camera Car:
Filip Jurzyk
Marek Rolka
Camera Operator:
Bartosz Toboła
Stanislaw Cuske
Casting:
Simone Bär
Alexandra Montag
Magdalena Szwarcbart
Jacqueline Rietz
Gniewko Falana
Catering:
Marta Zieja
Beata Lewicka
Piotr Koszniec
Roman Kupis
Co-Producer:
Bugs Hartley
Bartek Rainski
Colorist:
Gareth Bishop
Costume Design:
Małgorzata Karpiuk
Data Wrangler:
Jakub Cmiel
Jacek Wielgosz
Marcin Laskus
Marcela Paniak
Dialogue:
Lukas Feigelfeld
Digital Compositor:
Jonathan Atkins-Pott
Pete Baxter
Sanju Travis
Hannah Sornay
Maxwell Alexander
Charlotte Larive
Digital Imaging Technician:
Krzysztof Włodarczyk
Krzysztof Zawieja
Digital Intermediate:
Krzysztof Włodarczyk
Digital Intermediate Data Wrangler:
Lindsey Studholme
Digital Intermediate Producer:
Sarah Morowa
Director:
Jonathan Glazer
Director of Photography:
Łukasz Żal
Editor:
Paul Watts
Executive Producer:
Ollie Madden
Daniel Battsek
David Kimbangi
Reno Antoniades
Len Blavatnik
Danny Cohen
Tessa Ross
Executive Visual Effects Producer:
Aimee Dadswell
First Assistant Director:
Marc A. Wilson
First Assistant Editor:
Andreas D. Nold
Focus Puller:
Katarzyna Świetlikowska
Maciej Król
Łukasz Skwara
Marek Puzia
Jakub Kierski
Filip Baczuń
Anna Bogacz
Foley Artist:
Jacek Wiśniewski
Foley Editor:
Ewa Mazurkiewicz
Natalia Lubowiecka
Dawid Konecki
Kamil Kwiatkowski
Foley Mixer:
Michał Wilczewski
Filip Stefanowski
Grip:
Hervé Renoud-Lyat
Rafał Kołodziej
Michał Kucharzewski
In Memory Of:
Martin Amis
Aleksandra Bystroń-Kołodziejczyk
Simone Bär
Key Grip:
Tomasz Sternicki
Line Producer:
Magdalena Malisz
Location Manager:
Eugene Strange
Makeup Designer:
Waldemar Pokromski
Master Lighting Artist:
Konrad Pruski
Matchmove Supervisor:
Xavier Goubin
Matte Painter:
Rick Kamp
Music:
Joseph Wulf
Music Supervisor:
Bridget Samuels
Novel:
Martin Amis
Original Music Composer:
Mica Levi
Other:
Franz Rodenkirchen
Post Production Supervisor:
Richard Lloyd
Producer:
Ewa Puszczyńska
James Wilson
Production Coordinator:
Molly Moffatt
Dominika Połomska
Witold Franczak
Production Design:
Chris Oddy
Production Manager:
Małgorzata Bereźnicka
Production Sound Mixer:
Tarn Willers
Props:
Marek Zagdański
Researcher:
Lucy Pardee
Michał Śliwkiewicz
Roto Supervisor:
Jenny Gauci
Josh Black
Katherine Melville
Richard Van De Steenoven
Rotoscoping Artist:
Simon Firth
Lewis Powis
Maxime Gouilloux
Luke Beckett
Alex Frost
Matthew Hale
Adam Middleton
Duarte Castelo Branco
Sophie Newton
Lucas Poncon
Francesca Pappalardo
Sara Roxanne Rydding
Robyn Roach
Celine Pourcelot
Script:
Marzena Popławska
Second Assistant Camera:
Karol Masiarz
Second Assistant Director:
Mieszko Falana
Second Second Assistant Director:
Dominik Watin
Set Decoration:
Joanna Kuś
Katarzyna Sikora
Sound Assistant:
Beresford Cookman
Sound Designer:
Johnnie Burn
Sound Editor:
Maximilian Behrens
Sound Effects Editor:
Brendan Feeney
Simon Carroll
Joe Mount
Sound Engineer:
Jim Ogden
Sound Mix Technician:
Ashley Smith
Mateusz Stasiak
Declan Ilett
Sound Re-Recording Mixer:
Johnnie Burn
Special Props:
Damian Skrzek
Joanna Sikora
Anna Ciasto-Cytowicz
Adrian Budzyński
Still Photographer:
Agata Grzybowska
Jakub Kamiński
Stunt Coordinator:
Jakub Kostrzewa
Stunts:
Patryk Radziszewski
Kamil Kozłowski
Franciszek Zuzak
Jakub Bartosiewicz
Arkadiusz Suwalski
Tomasz Jarzębski
Kacper Wierzbicki
Dawid Giera
Supervising Art Director:
Katarzyna Sikora
Joanna Kuś
Supervising Sound Editor:
Johnnie Burn
Thanks:
Jane Robertson
Tanya Seghatchian
Sanford Lieberson
Translator:
Maciej Falkowski
Emilia Puszczyńska
Underwater Director of Photography:
Aleksander Pałasiński
VFX Editor:
Charlie Nevett
Sam Paul Toms
Video Assist Operator:
Konrad Kowalczyk
Krzysztof Świderski
Visual Effects:
Daniel Gilligan
Visual Effects Compositor:
Giovanni Facci
Gregory Corraze
Visual Effects Coordinator:
Beth Marshall
Samuele Pasquali
Visual Effects Producer:
Lucas Hanwell
Harry Landymore
Visual Effects Production Manager:
Archie Lodewyke
Marja Maccotta
Visual Effects Supervisor:
Bodie Clare
Guillaume Ménard
Writer:
Jonathan Glazer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.