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Every Day (2018) [PG-13]

Release Date:
February 22, 2018

Original Title:
Every Day

Alternate Titles:
エブリデイ：2018

Genres:
Fantasy | Romance

Production Companies:
FilmWave
Likely Story
Silver Reel

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  BR: 12  CZ: U  DE: 6  DK: 7  ES: APTA  GB: 12A  HU: 16  IE: 12A  IL: הותר לכל   IT: T  NL: 9  PL: 7  RU: 16+  SK: 12  US: PG-13 

Runtime: 97

Every day a different body. Every day a different life. Every day in love with the same girl.

Overview from TheMovieDB

16-year old Rhiannon falls in love with a mysterious spirit named “A” that inhabits a different body every day. Feeling an unmatched connection, Rhiannon and “A” work each day to find each other, not knowing what the next day will bring.

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Performers

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Production

ADR & Dubbing:
Thomas O'Neil Younkman

ADR Mixer:
Jason Oliver
Carolyn Tapp
Alan Freedman

ADR Voice Casting:
Patty Connolly
Mark Sussman

Adaptation:
Jesse Andrews

Art Direction:
Ann Bromley

Assistant Art Director:
Stephanie Wyman
George Partridge

Assistant Costume Designer:
Marya Duplaga

Assistant Property Master:
Alan Doucette

Best Boy Grip:
Jesse Moriarty

Boom Operator:
Alan Zielonko

CG Supervisor:
Leo Bovell

Camera Operator:
Michael Carella

Camera Trainee:
Savanna Slonimski

Casting:
Rori Bergman

Casting Associate:
Jonathan Oliveira
Dayna Katz
Karlee Fomalont

Co-Producer:
Ethan Lazar

Costume Design:
Georgina Yarhi

Costume Supervisor:
Ermina Diamantopoulos

Dialogue Editor:
Sang Jun Kim

Digital Intermediate:
Robert E. Phillips

Director:
Michael Sucsy

Director of Photography:
Rogier Stoffers

Dolly Grip:
Robert Cochrane

Editor:
Kathryn Himoff

Electrician:
Sean Osadzuk

Executive Producer:
Gero Bauknecht
Claudia Bluemhuber
Marina Brackenbury
Gerd Schepers
Daniel Bekerman

Extras Casting:
Zameret Kleiman

First Assistant Camera:
Dean Stinchcombe

First Assistant Director:
Simon Board

First Assistant Editor:
E.B. Kogan

Foley Artist:
Brandon Cannella

Foley Editor:
Travis Crotts

Foley Mixer:
John Guentner

Gaffer:
David Allan

Generator Operator:
Michael Plant

Genetator Operator:
Tom Loo

Grip:
Shaun Kuebeck

Hair Department Head:
Samantha Terry

Key Grip:
Richard Emerson

Key Hair Stylist:
Rikki Zucker

Key Makeup Artist:
Oriana Rossi

Leadman:
Blair Stackaruk
Sandro Loschiavo

Location Manager:
Eardley Wilmot

Makeup Department Head:
Sarah Craig McEathron

Music:
Elliott Wheeler

Music Editor:
Mark Jan Wlodarkiewicz
Jamieson Shaw
Jennifer Nash

Music Supervisor:
Sarah Bromberg
Stephanie Diaz-Matos

Novel:
David Levithan

Post Production Supervisor:
Jayne Armstrong

Producer:
Peter Cron
Paul Trijbits
Christian Grass
Anthony Bregman

Production Accountant:
Neil Olsen

Production Coordinator:
Eleanor Mendes
Naomi Ward

Production Design:
Matthew Davies

Production Manager:
Jessica Cheung

Property Master:
Adam Douglas

Screenplay:
Jesse Andrews

Script Supervisor:
Catherine Taylor

Second Assistant Camera:
Matthew Reid

Second Assistant Director:
Karen Young

Set Decoration:
Shayne Fox

Set Medic:
Travis Gowland

Sound Effects Editor:
Terry Rodman

Sound Mixer:
Glen Gauthier

Special Effects Coordinator:
Duncan Orthner

Still Photographer:
Peter Stranks

Stunt Coordinator:
Alicia Turner

Supervising Sound Editor:
Clayton Weber
Tim Chau

Unit Publicist:
Suzanne Cheriton

Visual Effects Coordinator:
Natasha North

Visual Effects Producer:
Michael Kowalski

Wig Designer:
Dawn E. Rivard

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.