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Sweetheart (2019) [N/A]

Release Date:
January 28, 2019

Original Title:
Sweetheart

Genres:
Horror

Production Companies:
Blumhouse Productions

Production Countries:
United States of America

Ratings / Certifications:
BR: 14  DE: 12  GB: 15 

Runtime: 82

Overview from TheMovieDB

Jenn has washed ashore a small tropical island and it doesn’t take her long to realize she’s completely alone. She must spend her days not only surviving the elements, but must also fend off the malevolent force that comes out each night.

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Performers

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Production

ADR Mixer:
Jeffrey Roy

ADR Supervisor:
David Bach

Additional Sound Re-Recording Mixer:
Matt Yocum

Animation:
Nikola Canic
Irena Djekic
Dragana Mandic

Art Department Assistant:
Joe Vatunitu

Art Direction:
Robbie Porter

Assistant Editor:
Derek Larsen
Abby Gentsch
Melanie Kuan

Best Boy Electric:
Marcus Upton

Best Boy Grip:
Colin McAlpine

Boom Operator:
Nick Steele

CG Supervisor:
Petar Jovovic

Camera Operator:
Milan Holec
Tim Walsh

Casting:
Terri Taylor

Casting Assistant:
Ally Conover

Casting Associate:
Sarah Domeier Lindo

Colorist:
Nicholas Hasson

Costume Design:
Romy Itzigsohn

Costume Supervisor:
Tami Holton

Creature Design:
Neville Page

Digital Compositor:
Tamara Dinic
Luka Plecas
Zivan Petricevic
Dragan Vujnic
Milos Randjelovic
Vladimir Jankovic
Matija Koraksic
Vladan Djiri Vasiljevic
Nikola Novakovic

Digital Conform Editor:
Carrie Oliver

Digital Imaging Technician:
Sean Shao Chi Yap

Digital Intermediate:
Laura Borowsky

Digital Intermediate Colorist:
Nicholas Hasson

Digital Intermediate Producer:
Elijah Eastlund

Director:
J.D. Dillard

Director of Photography:
Stefan Duscio

Editor:
Gina Hirsch

Electrician:
Tane Kingan
Elia Leawere
Arnold Richmond
Craig 'Smiley' MacDonald
Ray Newton

Executive Producer:
Beatriz Sequeira
Couper Samuelson
Jeanette Volturno

First Assistant "A" Camera:
Simon Williams

First Assistant "B" Camera:
Jani Häkli

First Assistant Accountant:
Raymond Zhang

First Assistant Director:
Toby Pease

First Assistant Editor:
Lucy Donaldson

Foley Artist:
Joanna Fang
Leslie Bloome

Foley Editor:
Laura Heinzinger
Nick Seaman

Foley Mixer:
Ryan Collison

Gaffer:
Sean O'Neill

Greensman:
Jone Vakaloloma
Coconut Joe
Filipe Teka
Atunaisa Rawaqa

Grip:
Frederick Leota
Bredan 'B' Elder
Neville Richmond

Hair Supervisor:
Hayden Bloomfield

Key Grip:
John Balbi

Line Producer:
Mark David Katchur

Location Manager:
Anthony Faifai

Makeup & Hair:
Eliza Langdon

Makeup Designer:
Davina Lamont

Marine Coordinator:
Ian Muller

Matte Painter:
Vladimir Mladenovic

Modeling:
Jovana Vulevic
Ivan Aleksic
Dejan Vladisavljevic

Music:
Charles Scott IV

Music Editor:
Richard Henderson

Producer:
Alex Theurer
Bill Karesh
Alex Hyner
Jason Blum
J.D. Dillard

Production Accountant:
Gina Hallas

Production Assistant:
Josua Merekula
Kini Racumu

Production Design:
Robbie Porter

Production Secretary:
Kristen Schreck

Production Supervisor:
Maria Tan

Property Master:
Marnie Pankowski

Prosthetic Designer:
Davina Lamont

Script Supervisor:
Aria Harrison

Second Assistant "A" Camera:
Inaki De Ubago

Second Assistant "B" Camera:
Khoa Le

Second Assistant Director:
Guy Campbell

Sound Mixer:
Mark Cornish

Sound Re-Recording Mixer:
Joel Dougherty

Special Effects Supervisor:
Adam Howarth

Steadicam Operator:
Tim Walsh
Milan Holec

Still Photographer:
Matt Grace

Storyboard Artist:
Shane Carrington

Stunt Coordinator:
Peter Nelson
Pat Millicano

Supervising Sound Editor:
Matt Yocum

Transportation Captain:
Vuniwai 'Doc' Tupou

Travel Coordinator:
Christine Racumu

Underwater Director of Photography:
Simon Enderby

VFX Artist:
Nikolas Ilic
Irnes Cavkic

VFX Editor:
Srđan Latinović

VFX Lighting Artist:
Aleksandar Babic

Video Assist Operator:
Zeb Simpson

Visual Effects:
Lukas Kunzmann

Visual Effects Art Director:
Zoran Cvetkovic

Visual Effects Coordinator:
Katarina Stojkovic

Visual Effects Production Manager:
Cassandra Bakic

Visual Effects Supervisor:
Scott E. Anderson

Visual Effects Technical Director:
Maksim Ljubenkovic

Writer:
Alex Hyner
J.D. Dillard
Alex Theurer

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.