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Velvet Buzzsaw (2019) [R]

Release Date:
February 1, 2019

Original Title:
Velvet Buzzsaw

Alternate Titles:
Die Kunst des toten Mannes
L'art de tuer
Untitled Dan Gilroy Project
Бархатная бензопила
Оксамитова пила
ベルベット・バズソー: 血塗られたギャラリー
絲絨電鋸
벨벳 버즈소

Genres:
Horror | Mystery | Thriller

Production Companies:
Jennifer Fox Productions

Production Countries:
United States of America

Ratings / Certifications:
CZ: 18+  DE: 16  ES: 18  FI: K-16  FR: 18  GB: 18  HU: 16  IE: 15  JP: R18+  KR: 18  PL: 16  RO: 18  SG: R21  US: R 

Runtime: 113

All Art Is Dangerous

Overview from TheMovieDB

Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.

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Additional information:

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Trailer

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Performers

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Production

ADR Editor:
Julie Feiner

ADR Mixer:
Chris Navarro

Additional Editor:
Kevin Hickman

Art Department Coordinator:
Michael A. Truesdale
Heather Elwell

Art Direction:
Christa Munro

Assistant Art Director:
Alison Sadler

Assistant Costume Designer:
Mila Hermanovski

Assistant Property Master:
Michael Vines

Associate Producer:
David Feinsilber
Donald Sparks

Best Boy Grip:
Krystina Figg

Boom Operator:
Jonathan Fuh

Camera Operator:
Colin Anderson

Casting:
Victoria Thomas

Casting Assistant:
Leigh Jonte

Casting Associate:
Elizabeth Brown

Chief Lighting Technician:
Ian Kincaid

Construction Coordinator:
Chris Snyder

Costume Coordinator:
Julia Saeri Lee

Costume Design:
Trish Summerville
Isis Mussenden

Costume Supervisor:
Nancy Au

Costumer:
Houri Mahserejian
Michelle Matteo
Joseph Cigliano
Arieana Mussenden
Lynn Ollie
Meghan McDonald

Dialogue Editor:
Julie Feiner

Director:
Dan Gilroy

Director of Photography:
Robert Elswit

Editor:
John Gilroy

Executive Producer:
Betsy Danbury

Extras Casting:
Dixie Webster

First Assistant Camera:
Erik L. Brown

First Assistant Director:
Donald Sparks

First Assistant Editor:
Corry Seeholzer

First Assistant Sound Editor:
Pernell L. Salinas

Foley Artist:
John Simpson

Foley Mixer:
Lisa Simpson

Hair Department Head:
Gloria Pasqua Casny

Hairstylist:
Nikki Wright
Ai Nakata

Key Costumer:
Valentina Aulisi

Key Grip:
Chris Centrella

Key Hair Stylist:
Aubrey Marie

Key Makeup Artist:
Malanie J. Romero

Location Manager:
Michael J. Burmeister

Makeup Artist:
Kela Wong
Ruth Haney

Makeup Department Head:
Donald Mowat

Makeup Designer:
Donald Mowat

Music Coordinator:
Rachel Lautzenheiser

Music Editor:
Nic Ratner

Music Supervisor:
Deva Anderson

Original Music Composer:
Marco Beltrami
Buck Sanders

Post Production Coordinator:
Sorta Lim

Producer:
Jennifer Fox

Production Accountant:
Rebecca R. Ryan

Production Design:
James D. Bissell

Production Sound Mixer:
José Antonio García

Production Supervisor:
Andrew Blau

Property Master:
Guillaume DeLouche

Rigging Gaffer:
John R. Manocchia

Script Supervisor:
Susan Malerstein

Second Assistant Camera:
Larissa Supplitt

Second Assistant Director:
Peter Dress

Second Unit Director:
Mike Smith

Second Unit Director of Photography:
Chris Moseley

Set Costumer:
Corey Bronson
Kelly Porter

Set Decorating Coordinator:
Canada Johanna Gordon

Set Decoration:
Jan Pascale
David Smith

Set Designer:
Greg Papalia
Anne Porter

Sound Designer:
Ann Scibelli
Martyn Zub

Sound Effects Editor:
Xiao'ou Olivia Zhang

Sound Re-Recording Mixer:
Andy Koyama
Martyn Zub

Special Effects Coordinator:
Elia P. Popov

Still Photographer:
Claudette Barius

Stunt Coordinator:
Mike Smith

Stunt Double:
Cheryl Wheeler Duncan

Supervising Sound Editor:
Margit Pfeiffer

Unit Production Manager:
Betsy Danbury

Unit Publicist:
Cid Swank

VFX Artist:
Peter Steffan

Visual Effects Editor:
Roxanne Dorman
Daniel Kepler

Writer:
Dan Gilroy

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.