A work in constant progress (and occasional regress).
Release Date:
September 16, 2019
Original Title:
The Game Changers
Alternate Titles:
더 게임 체인저스
Genres:
Documentary
Production Companies:
Diamond Docs
Oceanic Preservation Society
ReFuel Productions
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 CA: PG IE: 15 KR: 12 NL: 12 PL: 16 US: NR
Runtime: 88
From the UFC Octagon in Las Vegas and the anthropology lab at Dartmouth, to a strongman gym in Berlin and the bushlands of Zimbabwe, the world is introduced to elite athletes, special ops soldiers, visionary scientists, cultural icons, and everyday heroes—each on a mission to create a seismic shift in the way we eat and live.
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Associate Producer:
Cristina Ljungberg
Daniel Negreanu
Co-Executive Producer:
Mario Calbi
Tom Ljungberg
Dilesh Mehta
Josh Balk
Mohannad Malas
Marco Borges
Joan Murray
Sara Murray
Steve Bellamy
Co-Producer:
Shannon Kornelsen
Gina Papabeis
Co-Writer:
Shannon Kornelsen
Director:
Louie Psihoyos
Director of Photography:
Hunter Nolan
John Behrens
Editor:
Stephanie Mechura Challberg
Dan Swietlik
Executive Producer:
James Cameron
Pamela Anderson
Rip Esselstyn
Niklas Adalberth
Cindy Landon
Solina Chau
Britt Selvitelle
Brendan Brazier
Nirva Patel
Paresh Patel
Alexis Ohanian
Sheryl Greenberg
Bob Greenberg
Susan Vitka
Caroline Gabel
Jim Greenbaum
Charity Morgan
Derrick Morgan
Gwyn Whittaker
Nicole Brodeur
Alex Payne
Kyle Vogt
Tracy Vogt
Maria Wilhelm
Lewis Hamilton
Novak Djokovic
Chris Paul
Arnold Schwarzenegger
Jackie Chan
Suzy Amis
Line Producer:
Brook Holston
Music:
Wendell Hanes
Music Supervisor:
Brooke Wentz
Original Music Composer:
Nathan Matthew David
Producer:
James Wilks
Joseph Pace
Writer:
Mark Monroe
Joseph Pace
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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