A work in constant progress (and occasional regress).
Release Date:
November 25, 1966
Original Title:
Transit Carlsbad
Genres:
Crime | Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 94
Even in the "enlightened" 60. years filmmakers like to play spies. In the grand-world environment, Luxury hotel in Karlovy Vary the sophisticated charade unfolds, in which several foreign agents interested in the famous Austrian scientist, the discoverer of the artificial protein. Endangered man fortunately never notice danger around him. His protection was entrusted to the mysterious madame Elizabeth, amongst agents famed as the ' 006, in fact, working for the State security... As a parody, perhaps the movie succeeded, but hardly convincing anyone - and this is despite scriptwriting participation of the renowned Jan Procházka.
Assistant Camera:
Petr Pešek
Assistant Director:
Jiřina Matiasková
Věra Pištěková
Assistant Production Manager:
Vít Pešina
Camera Operator:
Saša Rašilov
František Uldrich
Conductor:
František Belfín
Karel Duba
Costume Design:
Olga Dimitrovová
Costumer:
František Sadílek
Marie Broncová
Creative Producer:
Vladimír Bor
Director:
Zbyněk Brynych
Director of Photography:
Jan Kališ
Dramaturgy:
Věra Kalábová
Editor:
Miroslav Hájek
Executive Producer:
Jiří Šebor
First Assistant Director:
Ota Koval
Makeup & Hair:
Vladimír Petřina
František Příhoda
Jitka Vrbatová
Original Music Composer:
Jiří Sternwald
Production Design:
Milan Nejedlý
Production Manager:
Eliška Nejedlá
Screenplay:
Zbyněk Brynych
Jan Procházka
Set Decoration:
Jiří Čermák
Vladimír Ježek
Eva Slívová
Emanuel Dvořáček
Sound:
Miloš Alster
Story:
Josef Pick
Jan Procházka
Unit Production Manager:
Vladislav Špidra
Jiří Zika
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.