A work in constant progress (and occasional regress).
Release Date:
January 1, 2000
Original Title:
Hollywood Sins
Alternate Titles:
Hollywood Günahlari
Hollywoodi erkölcsök
Love's Hidden Talent
Pecados de Hollywood
Vices à Hollywood
Genres:
Drama
Production Companies:
Mystique Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 108
Hollywood. Tinseltown. Sin City. A town that's built its reputation on money, power and sex. A typical talent agent, Simon Teller is no different that the rest of the Hollywood elite. He'll do anything to seal a deal. And he and his starlet fiancee, Lacy Lloyd, like to push the envelope of their sexual boundaries. They get off by video-taping their erotic indiscretions with other men and women and watching them together. But eventually Simon picks the wrong woman to fool around with. When Donna, the sultry conniving wife of the agency's CEO, seduces and then black-mails him, he'll have to summon more than the usual tricks to land on his feet.
Casting:
Anna Camille Miller
Casting Associate:
Jana Freeman
Costume Design:
Deborah Ceballos
Director:
Edward Holzman
Director of Photography:
Harris Done
Editor:
Curtis Edge
Executive In Charge Of Production:
Darren B. Turbow
Executive Producer:
Edward Holzman
First Assistant Director:
Eva Franzen
Gaffer:
Edgar Arellano
Grip:
Chris Thornton
Makeup Artist:
Dewey Cook
Music:
Chris Anderson
Carl Schurtz
Post Production Supervisor:
David Dancyger
Producer:
William Burke
Production Coordinator:
Diane Laney
Production Design:
Brian F. McCabe
Script Supervisor:
Sharon Cingle
Set Decoration:
Jill Anna Parry
Sound Mixer:
Bill Teague
Writer:
Steve Hajdu
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.