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Private Life (2018) [N/A]

Release Date:
October 5, 2018

Original Title:
Private Life

Alternate Titles:
Mais Uma Chance
Vida Privada
Προσωπική Ζωή
프라이빗 라이프

Genres:
Comedy | Drama

Production Companies:
Likely Story

Production Countries:
United States of America

Ratings / Certifications:
AU: MA15+  BR: 18  IE: 15  JP: R18+  PL: 16 

Runtime: 123

Overview from TheMovieDB

Richard and Rachel, a couple in the throes of infertility, try to maintain their marriage as they descend deeper and deeper into the insular world of assisted reproduction and domestic adoption.

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Performers

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Production

Art Department Assistant:
Natalie Hoffman

Art Department Coordinator:
Emilia Spirito

Art Direction:
Andy Eklund

Assistant Director:
Jack McKenna

Assistant Editor:
Tricia Holmes

Boom Operator:
Seth Tallman
Carmine Picarello

Camera Technician:
Michael Lee Nirenberg

Casting:
Ro Dempsey

Casting Associate:
Karlee Fomalont

Costume Coordinator:
Lauren Colbert

Costume Design:
Leah Katznelson

Director:
Tamara Jenkins

Director of Photography:
Christos Voudouris

Dolly Grip:
Charles Johnston

Editor:
Brian A. Kates

Electrician:
Noah Chamis

First Assistant Director:
Caroline Aragon

Gaffer:
Nina Kuhn

Graphic Designer:
Loren Kane

Grip:
Drew Verderame

Key Hair Stylist:
Susan Schectar

Loader:
Joshua Bote

Location Manager:
Royal Yates

Location Scout:
Pablo Burn
Gerry Kim

Makeup Department Head:
Brenna McGuire

Music Supervisor:
Howard Paar

Post Production Assistant:
Briana Kay Stodden

Post Production Supervisor:
Rachel Jablin

Producer:
Stefanie Azpiazu
Anthony Bregman

Production Accountant:
Lauren Silver

Production Design:
Ford Wheeler

Production Sound Mixer:
Mathew Price

Production Supervisor:
Andrea Pappas

Script Supervisor:
Tony Osso

Second Assistant Director:
Alyssa Boffoli

Set Decoration:
Jacqueline Jacobson Scarfo

Set Production Assistant:
Maxwell Velazquez

Still Photographer:
JoJo Whilden
Seacia Pavao

Stunt Coordinator:
Jared Burke

Third Assistant Director:
Alejandro Ramia

Writer:
Tamara Jenkins

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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