A work in constant progress (and occasional regress).
Release Date:
July 2, 2004
Original Title:
The Machinist
Alternate Titles:
L'uomo senza sonno
Mechanik
O Maquinista
O Operário
The Machinist
The Machinist - O Operário
迷魂杀阵
머시니스트
Genres:
Drama | Thriller
Production Companies:
Castelao Productions
Filmax
Production Countries:
Spain
Ratings / Certifications:
AR: +16 AU: M BR: 16 CA: 18A CH: 16 DE: 16 ES: 18 FR: 12 GB: 15 HU: 18 IE: 16 KR: 15 MX: B-15 NL: 16 NZ: M PH: R-18 PL: 16 PT: M/16 SE: 15 TR: 13+ US: R
Runtime: 101
Trevor, an insomniac lathe operator, experiences unusual occurrences at work and home. A strange man follows him everywhere, but no one else seems to notice him.
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Additional Lighting Technician:
Miqui Pérez
Debora Witte
Luis Ayala
Oriol Julià
Charly Bujedo
Ricard Durany
Boris Zapata
José Manuel Diaz
Additional Production Assistant:
Miguel Ibáñez Monroy
Additional Wardrobe Assistant:
Ester Grangel
Assistant Art Director:
Iñigo Navarro
Assistant Camera:
Juan Carlos Gorriz
Assistant Set Decoration:
María Losada
Boom Operator:
Biel Cabré
Camera Intern:
Eduardo Valero
Camera Operator:
Albert Carreras
Color Grading:
Manolo Millán
Conductor:
Mario Klemens
Costume Design:
Patricia Monné
Maribel Pérez
Dialogue Coach:
Mary Kay McCoy
Angela Fillingham
Director:
Brad Anderson
Director of Photography:
Xavi Giménez
Documentation & Support:
Anna Oms
Dolby Consultant:
Jaume Puig
Editor:
Luis de la Madrid
José Pérez
Executive Producer:
Carlos Fernández
Antonia Nava
First Assistant Camera:
Francesc Carreras
First Assistant Director:
Daniela Forn
First Assistant Editor:
Guillermo de la Cal
Graphic Designer:
Sergi Segarra
Jaume Granell
Ricard Garcia
Octavi Segarra
Key Grip:
Charly Guerrero
Key Makeup Artist:
Alma Casal
Lighting Technician:
Jordi Ruiz
Diego Moyano
Manuel Fernández
Line Producer:
Teresa Gefaell
Javier Arsuaga Lekuona
Location Manager:
Mar Francolí
Music Producer:
Queti Pazos
Musician:
Lydia Kavina
Radovan Sancera
Orchestrator:
Roque Baños
Zacarías M. de la Riva
Claudio Ianni
Original Music Composer:
Roque Baños
Painter:
Jesús Chaparro
Elisabeth Martirena
Post Production Assistant:
Álex de Molina
Félix Bueno
Post Production Supervisor:
Jesús L. Pérez Villar
Producer:
Julio Fernández
Production Accountant:
Mary Brites
Production Assistant:
Bernat Rifé
Alberto Álvarez
Marc Álvarez
Emilio Martinez-Borso
Roser Morte
Production Coordinator:
Meritxell Juncosa
Production Design:
Alain Baineé
Production Intern:
Marta Tarrida
Daniel Mateu
Production Manager:
Josep Amorós
Pascual Otal
Julio Fernández
Eduard Aguiló
Production Runner:
Carlos Rosal
Lluís Salgado
Sílvia Rodrigo
Xsepa
Jordi Punsola
Jordi López
Ivan Álvarez
Rafael Gómez
Ruth Fernández
Production Secretary:
Elisa Sirvent
Property Master:
Cris Vila
Prosthetics:
Pedro Raúl de Diego
Irene Puche
Carlos Barea
Berta García
Rosana Gatell
Script:
Glòria Blanes
Script Supervisor:
Glòria Blanes
Second Assistant Camera:
Emilio Guirao
David Valldepérez
Second Assistant Director:
Anna Rua
Second Unit Director of Photography:
Óscar Faura
Set Decoration:
Héctor Gil
Set Dresser:
Sylvia Steinbrecht
Sound:
Albert Manera
Sound Design Assistant:
Biel Cabré
Sound Editor:
Fabiola Ordoyo
Albert Manera
Sound Re-Recording Mixer:
Marc Orts
Special Effects Makeup Artist:
Pedro Raúl de Diego
Esther Villar
Berta García
Irene Puche
Rosana Gatell
Carlos Barea
Stand In:
Ina Liza
Juan-Carlos Guzman
Steadicam Operator:
Ramón Sánchez
Still Photographer:
Nicolás Geller
Storyboard Artist:
Jordi Huguet
Technical Supervisor:
David Sans
Telecine Colorist:
Jorge Ortiz Yus
Third Assistant Director:
Ivana Piqué
Rita Rubio
Title Designer:
Pau Rocher
Laura Roige
Visual Effects:
Jesús Luque
Wardrobe Assistant:
Núria Roig
Writer:
Scott Kosar
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.