A work in constant progress (and occasional regress).
Release Date:
July 2, 2004
Original Title:
The Machinist
Alternate Titles:
L'uomo senza sonno
Mechanik
O Maquinista
O Operário
The Machinist
The Machinist - O Operário
迷魂杀阵
머시니스트
Genres:
Drama | Thriller
Production Companies:
Castelao Productions
Filmax
Production Countries:
Spain
Ratings / Certifications:
AR: +16 AU: M BR: 16 CA: 18A CH: 16 DE: 16 ES: 18 FR: 12 GB: 15 HU: 18 IE: 16 KR: 15 MX: B-15 NL: 16 NZ: M PH: R-18 PL: 16 PT: M/16 SE: 15 TR: 13+ US: R
Runtime: 101
Trevor, an insomniac lathe operator, experiences unusual occurrences at work and home. A strange man follows him everywhere, but no one else seems to notice him.
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Additional Lighting Technician:
Boris Zapata
Debora Witte
Miqui Pérez
Oriol Julià
José Manuel Diaz
Ricard Durany
Charly Bujedo
Luis Ayala
Additional Production Assistant:
Miguel Ibáñez Monroy
Additional Wardrobe Assistant:
Ester Grangel
Assistant Art Director:
Iñigo Navarro
Assistant Camera:
Juan Carlos Gorriz
Assistant Set Decoration:
María Losada
Boom Operator:
Biel Cabré
Camera Intern:
Eduardo Valero
Camera Operator:
Albert Carreras
Color Grading:
Manolo Millán
Conductor:
Mario Klemens
Costume Design:
Maribel Pérez
Patricia Monné
Dialogue Coach:
Mary Kay McCoy
Angela Fillingham
Director:
Brad Anderson
Director of Photography:
Xavi Giménez
Documentation & Support:
Anna Oms
Dolby Consultant:
Jaume Puig
Editor:
Luis de la Madrid
José Pérez
Executive Producer:
Carlos Fernández
Antonia Nava
First Assistant Camera:
Francesc Carreras
First Assistant Director:
Daniela Forn
First Assistant Editor:
Guillermo de la Cal
Graphic Designer:
Sergi Segarra
Octavi Segarra
Jaume Granell
Ricard Garcia
Key Grip:
Charly Guerrero
Key Makeup Artist:
Alma Casal
Lighting Technician:
Jordi Ruiz
Diego Moyano
Manuel Fernández
Line Producer:
Teresa Gefaell
Javier Arsuaga Lekuona
Location Manager:
Mar Francolí
Music Producer:
Queti Pazos
Musician:
Radovan Sancera
Lydia Kavina
Orchestrator:
Zacarías M. de la Riva
Claudio Ianni
Roque Baños
Original Music Composer:
Roque Baños
Painter:
Elisabeth Martirena
Jesús Chaparro
Post Production Assistant:
Álex de Molina
Félix Bueno
Post Production Supervisor:
Jesús L. Pérez Villar
Producer:
Julio Fernández
Production Accountant:
Mary Brites
Production Assistant:
Marc Álvarez
Alberto Álvarez
Bernat Rifé
Roser Morte
Emilio Martinez-Borso
Production Coordinator:
Meritxell Juncosa
Production Design:
Alain Baineé
Production Intern:
Marta Tarrida
Daniel Mateu
Production Manager:
Pascual Otal
Julio Fernández
Josep Amorós
Eduard Aguiló
Production Runner:
Ivan Álvarez
Xsepa
Lluís Salgado
Carlos Rosal
Sílvia Rodrigo
Jordi Punsola
Jordi López
Rafael Gómez
Ruth Fernández
Production Secretary:
Elisa Sirvent
Property Master:
Cris Vila
Prosthetics:
Irene Puche
Rosana Gatell
Berta García
Pedro Raúl de Diego
Carlos Barea
Script:
Glòria Blanes
Script Supervisor:
Glòria Blanes
Second Assistant Camera:
David Valldepérez
Emilio Guirao
Second Assistant Director:
Anna Rua
Second Unit Director of Photography:
Óscar Faura
Set Decoration:
Héctor Gil
Set Dresser:
Sylvia Steinbrecht
Sound:
Albert Manera
Sound Design Assistant:
Biel Cabré
Sound Editor:
Albert Manera
Fabiola Ordoyo
Sound Re-Recording Mixer:
Marc Orts
Special Effects Makeup Artist:
Esther Villar
Irene Puche
Rosana Gatell
Berta García
Pedro Raúl de Diego
Carlos Barea
Stand In:
Ina Liza
Juan-Carlos Guzman
Steadicam Operator:
Ramón Sánchez
Still Photographer:
Nicolás Geller
Storyboard Artist:
Jordi Huguet
Technical Supervisor:
David Sans
Telecine Colorist:
Jorge Ortiz Yus
Third Assistant Director:
Rita Rubio
Ivana Piqué
Title Designer:
Laura Roige
Pau Rocher
Visual Effects:
Jesús Luque
Wardrobe Assistant:
Núria Roig
Writer:
Scott Kosar
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.