A work in constant progress (and occasional regress).
Release Date:
August 30, 2018
Original Title:
The Little Stranger
Alternate Titles:
L'ospite
Genres:
Horror | Mystery
Production Companies:
Canal+
Ciné+
Dark Trick Films
Element Pictures
Film4 Productions
Focus Features
Fís Éireann/Screen Ireland
Ingenious Media
Pathé
Potboiler Productions
Production Countries:
France | Ireland | United Kingdom | United States of America
Ratings / Certifications:
CZ: 15+ DE: 16 FR: 12|10 GB: 12A HU: 12 IE: 12 NL: 9 SE: 15 US: R
Runtime: 111
In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house is now in decline. But are the Ayreses haunted by something more sinister than a dying way of life?
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ADR Editor:
German Camardella
ADR Mixer:
Jean McGrath
Art Direction:
Guy Bevitt
Assistant Art Director:
Glen Young
Assistant Costume Designer:
Ailsa Windsor
Assistant Set Decoration:
Zoe Seiffert
Carpenter:
Duncan McNeil
Casting:
Nina Gold
Robert Sterne
Casting Associate:
Robert Sterne
Choreographer:
Polly Bennett
Co-Producer:
Anita Overland
Conductor:
Gearoid Grant
Construction Coordinator:
Keziah Barton-White
Construction Manager:
Ian Zawadzki
Costume Design:
Stephen Noble
Costume Supervisor:
Viveene Campbell
Daily Makeup & Hair:
Fiona Matthews
Dialogue Coach:
Joan Washington
Dialogue Editor:
Niall Brady
Director:
Lenny Abrahamson
Director of Photography:
Ole Bratt Birkeland
Dolby Consultant:
Rob Huckle
Editor:
Nathan Nugent
Electrician:
Michael James Robinson
Daniel Stones
Pawel Polak
Duncan Riedl
Daniel Chaytor
Owen Varley
Executive Producer:
Cameron McCracken
Andrew Lowe
Daniel Battsek
Tim O'Shea
First Assistant "A" Camera:
Julius Ogden
First Assistant Director:
Olly Robinson
First Assistant Editor:
Paul Rankin
Floor Runner:
Liberty Cheesman
Rhiannon Willis
Stewart Allen-Smith
Foley Artist:
Caoimhe Doyle
Foley Editor:
Brendan Rehill
Foley Mixer:
Jean McGrath
Gaffer:
Andy Lowe
Graphic Designer:
Verena Khan
Greensman:
Daniel Gibson
Daniel Valentine
Makeup & Hair:
Sian Grigg
Jackie Sweeney
Clementine Ollerenshaw
Tapio Salmi
Gigi Dey
Music Editor:
Andrew Glen
Simon Changer
Music Supervisor:
Kle Savidge
Novel:
Sarah Waters
Original Music Composer:
Stephen Rennicks
Painter:
David Meeking
Post Production Coordinator:
Collie McCarthy
Ishbel Beeson
Lisa Jacobi
Hannah Peerless Dalus
Post Production Supervisor:
Ann Lynch
Producer:
Andrea Calderwood
Gail Egan
Ed Guiney
Production Coordinator:
Emer O'Shea
Lizzie Bull
Production Design:
Simon Elliott
Production Secretary:
Rhianna Rizvi
Property Master:
Andrew Barden
Prosthetic Designer:
Barrie Gower
Sian Grigg
Prosthetic Makeup Artist:
Duncan Jarman
Michael Byrne
Prosthetic Supervisor:
Paul Spateri
Rigging Gaffer:
John Antill
Screenplay:
Lucinda Coxon
Script Supervisor:
Irene Chawko
Second Assistant "A" Camera:
Arron Monkman
Second Assistant "B" Camera:
Laurence Johnson
Second Unit Director:
Nathan Nugent
Second Unit Director of Photography:
Bruce Jackson
Set Decoration:
Emma Davis
Sound Designer:
Steve Fanagan
Special Effects Supervisor:
Neal Champion
Standby Property Master:
Phil Bull
Steadicam Operator:
John Ferguson
Storyboard Artist:
Brendan Houghton
Stunt Coordinator:
Jamie Edgell
Stunt Double:
Nicholas Daines
Stunts:
Rachelle Beinart
Claire Lawrence
Casey Michaels
Belinda McGinley
Annabel Wood
James Harris
Supervising Art Director:
Bill Crutcher
Supervising Sound Editor:
Niall Brady
Third Assistant Director:
Emyr Glyn Rees
Title Designer:
Annie Atkins
Unit Manager:
Chris Brewer
Unit Production Manager:
Nicola Morrow
Unit Publicist:
Oliver Lavery
Eugene O'Connor
Ellen Steers
Jonathan Rutter
Visual Effects Producer:
Eric A. Kohler
Visual Effects Supervisor:
Ed Bruce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.