A work in constant progress (and occasional regress).
Release Date:
April 2, 1957
Original Title:
Interpol
Alternate Titles:
Der Mann, den keiner kannte
Interpol auf heißer Spur
Pickup Alley
Police internationale
Genres:
Crime | Drama
Production Companies:
Columbia Pictures
Warwick Film Productions
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 US: NR
Runtime: 92
Spurred on by the death of his drug-addicted sister at the hands of ruthless narcotics kingpin Frank McNally, U.S. drug enforcement agent Charles Sturgis embarks on an investigation that takes him from New York to London, Lisbon, Rome, Naples and finally Athens in pursuit of McNally's shapely associate, Gina Broger.
Art Direction:
Paul Sheriff
Assistant Art Director:
Maurice Fowler
Syd Cain
Assistant Director:
Alec Gibb
Bluey Hill
Associate Producer:
Phil C. Samuel
Camera Operator:
Skeets Kelly
Harold Haysom
Casting:
Nora Roberts
Conductor:
Muir Mathieson
Continuity:
Kay Rawlings
Olga Brook
Director:
John Gilling
Director of Photography:
Ted Moore
Editor:
Richard Best
Hairdresser:
Bill Griffiths
Location Manager:
John Cabrera
Makeup Artist:
Roy Ashton
Original Music Composer:
Richard Rodney Bennett
Producer:
Albert R. Broccoli
Irving Allen
Production Supervisor:
Cecil R. Foster Kemp
Screenplay:
John Paxton
Second Unit Director:
Max Varnel
Second Unit Director of Photography:
Stanley Pavey
Sound Editor:
Don Saunders
Sound Recordist:
Norman Coggs
Len Shilton
Story:
A.J. Forrest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.