A work in constant progress (and occasional regress).
Release Date:
August 14, 1969
Original Title:
Un merveilleux parfum d'oseille
Genres:
Comedy | Crime
Production Companies:
Compagnie Industrielle et Commerciale Cinématographique
Les Films de la Licorne
Ratings / Certifications:
N/A
Runtime: 99
Baron Yves de Kerfunte learns of his uncle's death. Overjoyed, he is astonished to discover that seven other individuals are vying for the inheritance. Worse still, when they open the will, they learn that only the elderly Louise de Kerfunte is the heiress, and that she intends to squander the money quickly.
Adaptation:
Rinaldo Bassi
René Havard
Assistant Editor:
Christiane Lorenzi
Assistant Makeup Artist:
Viviane Deschamps
Boom Operator:
Lucien Moreau
Camera Operator:
Gérard Hameline
Continuity:
Françoise Lehérissey
Costume Design:
Monique Dury
Dialogue:
René Havard
Director:
Rinaldo Bassi
Director of Photography:
Guy Suzuki
Editor:
Lilyane Fattori
Electrician:
Jean-François Casi
Executive Producer:
Michel Cousin
First Assistant Camera:
Richard Suzuki
First Assistant Director:
Georges Grodzenczyk
Key Grip:
Elie Fontanille
Key Makeup Artist:
Nicole Félix
Music:
Jean Lemaire
Producer:
Michel Cousin
Production Manager:
Mireille de Tissot
Property Master:
Pierre Clauzel
Screenplay:
René Havard
Script Supervisor:
Françoise Lehérissey
Second Assistant Director:
Claude Janetti
Sound:
Séverin Frankiel
Sound Assistant:
Lucien Moreau
Sound Mixer:
René Renault
Sound Recordist:
Séverin Frankiel
Still Photographer:
Raoul Foulon
Unit Manager:
Christian Gallo
Unit Production Manager:
Michel Bonnay
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.