The Perfect Catch (2017) [N/A]

Release Date:
April 22, 2017

Original Title:
The Perfect Catch

Alternate Titles:
El partido perfecto

Genres:
Drama | Romance | TV Movie

Production Companies:
Hallmark Media
Storybox Entertainment

Production Countries:
United States of America

Ratings / Certifications:
BR: L 

Runtime: 84

When Jessica Parker’s former high school boyfriend, superstar baseball player Chase Taynor, returns to town, she finds the inspiration to reinvent her struggling diner… and revisits the past to find something even better for the future.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Greg Coletti

"B" Camera Operator:
Björn Hermannes

Accountant:
Svatia Sakarova

Art Direction:
Mike Allen

Assistant Costume Designer:
Chanelle Salnikowski

Assistant Editor:
Sandra Nash
Eugen Mihalicka

Assistant Hairstylist:
Amber Snow

Assistant Location Manager:
Brian McWha

Assistant Makeup Artist:
Vanessa Messina

Assistant Production Coordinator:
Audrey Mentz
Ally Caldicott-Levitt

Assistant Sound Editor:
Sean Szutka

Best Boy Electric:
Greg Goudreau

Best Boy Grip:
Ben Herman

Boom Operator:
Eric Weisner

Casting:
Jackie Lind
Penny Perry

Colorist:
Jimmy Hsu

Costume Design:
Tina Fiorda

Costume Set Supervisor:
Christina Sellinger

Dialogue Editor:
Eric Mouawad

Digital Imaging Technician:
Devon Stackhouse

Director:
Steven R. Monroe

Director of Photography:
Tyler Walzak

Dolly Grip:
Austin De Pourcq

Editor:
Kelly Herron

Executive Producer:
Bruce D. Johnson

Extras Casting:
Sara Brown

Extras Casting Assistant:
Rachel Klinosky

First Assistant "A" Camera:
Jordan Dowler-Coltman

First Assistant "B" Camera:
Andrew Marchand-Boddy

First Assistant Director:
Patrick Weir

Foley Artist:
Don Harrison
Ian Mackie

Foley Recording Engineer:
Rick Senechal

Gaffer:
Bryn McCashin

Genetator Operator:
Rik Rohrback

Key Grip:
Connor Thorpe

Key Hair Stylist:
Liz Smith

Key Makeup Artist:
Sandy Cooper

Lead Set Dresser:
Connie Toma

Location Manager:
Clayton Carroll

Music:
Michael Richard Plowman

Music Supervisor:
Sian O'Byrne
Francesca Cammarata

Online Editor:
Cassandra Yaseniuk

Payroll Accountant:
Miranda Eyre

Post Production Coordinator:
Nikki Lee

Post Production Supervisor:
Jason Macintyre

Producer:
Harvey Kahn

Production Accountant:
Kathy Eyre Candiago

Production Controller:
Marnie Termuende

Production Coordinator:
Chidem Alie

Production Design:
Bob Bottieri

Production Manager:
Chris Wilson

Production Sound Mixer:
Tad Nazar

Property Master:
Sarah Roach

Props:
Andrew Grey

Script Supervisor:
Hannah van Dijk

Second Assistant "A" Camera:
Bailey Mills

Second Assistant "B" Camera:
Francis Belanger

Second Assistant Director:
Jorge Orellana

Security Coordinator:
Sean Hanlin

Set Decoration:
La Vonne Girard

Set Dresser:
Ginna Scotto

Sound Designer:
Eva Madden

Sound Editor:
Angelo Nicoloyannis

Sound Re-Recording Mixer:
Angelo Nicoloyannis
Craig George

Still Photographer:
Kailey Schwerman

Story:
Hanz Wasserburger

Studio Teacher:
Tracey Shelley-Lavery

Stunt Coordinator:
Brett Armstrong

Teleplay:
Brian Sawyer
Hanz Wasserburger
Gregg Rossen

Third Assistant Director:
Rob Guthrie

Transportation Captain:
Robert Glen

Transportation Coordinator:
Dean Fitzpatrick

Truck Supervisor:
Mai Truong

Visual Effects Supervisor:
Barry Liu

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.