A work in constant progress (and occasional regress).
Release Date:
October 23, 2008
Original Title:
Los paranoicos
Genres:
Comedy | Drama | Romance
Production Companies:
Aeroplano Cine
Mondo Cine
Oscilloscope
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 105
Luciano works in birthday parties and writes his first feature when friend Manuel returns from Spain to repeat his TV show, "The Paranoids", together with his girl Sofia. Manuel is everything he is not and him trying to be helpful in his career and with women, only worsens the conflict.
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Art Direction:
Sebastián Rosés
Assistant Camera:
Soledad Abot Glenz
Assistant Costume Designer:
Verónica Schliemann
Associate Producer:
Mike Bassa
Nicolás Casares
Andy Kleinman
Federico Weil
Boom Operator:
Nicolás Tabárez
Ricardo Sotosca
Camera Operator:
Lucio Bonelli
Cinematography:
Lucio Bonelli
Director:
Gabriel Medina
Editor:
Nicolás Goldbart
Electrician:
Javier Caña
Ignacio Echeberría
Martín Poleri
César Seghezzo
Carlos Santiago Sosa
Gustavo Zakin
Film Processor:
Georgina Pretto
First Assistant Director:
Adriana Vior
Foley Artist:
Lisandro Rumeau
Gaffer:
Federico Martini
Grip:
Jorge Avalos
Alejandro Escobar
Damián Zottola
Line Producer:
Ezequiel Rossi
Location Manager:
Federico Noejovich
Location Production Assistant:
Federico Noejovich
Makeup Artist:
Karina Dorado
Music:
Guillermo Guareschi
Musician:
Andrés Chorny
Guillermo Delgado
Marcelo Ponce
Julián Semprini
Producer:
Nicolás Tacconi
Sebastian Aloi
Production Design:
Sebastián Rosés
Script Supervisor:
Martin Bustos
Second Assistant Camera:
Mercedes Laborde
Sound:
Fernando Soldevila
Sound Editor:
Ricardo Sotosca
Sound Re-Recording Mixer:
Roberto Migone
Sound Recordist:
Facundo Paco Girón
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.