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The Vanishing (2019) [R]

Release Date:
January 4, 2019

Original Title:
The Vanishing

Alternate Titles:
El misterio del faro
Keepers
La desaparición
The Devil to Pay
The Vanishing
Vanishing
バニシング：2019

Genres:
Mystery | Thriller

Production Companies:
Creative Scotland
Cross Creek Pictures
G-BASE
Head Gear Films
Kodiak Pictures
Mad as Birds
Metrol Technology
New Republic Pictures
Protagonist Pictures
Saban Films
iWood Studios

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AU: MA15+  BR: 16  CL: 14  CO: 15  DE: 16  DK: 15  ES: 16  GB: 15  HU: 16  ID: 17+  IE: 15  IT: VM14  JP: G  KR: 15  MX: B15   NL: 16  NO: 15  PH: R-13  PL: 16  PT: M/16  RU: 16+  SG: NC16   US: R 

Runtime: 108

What's left when the light goes out?

Overview from TheMovieDB

Three lighthouse keepers on an uninhabited island off the coast of Scotland discover something that isn't theirs to keep.

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Additional information:

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Video

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Trailer

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Performers

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Production

ADR Editor:
Gavin Rose

ADR Mixer:
Bobby Garza
Adrian Furdui
Nicholas Cathcart-Jones
Micheal MacKinnon
Ken Galvin
Símun Lindholm Mohr

Art Department Assistant:
Emma Barnes

Art Direction:
Matt Fraser

Assistant Accountant:
Donna Fitzsymons

Assistant Art Director:
Lenka Dobranska

Assistant Editor:
Grant Thistle

Associate Producer:
Daniel Kaslow

Best Boy Electric:
Grant McLean

Boom Operator:
Adam Clayton Williams
Craig Conybeare

Camera Operator:
Alan Maxwell

Casting:
Reg Poerscout-Edgerton

Casting Assistant:
Benedict Minghella

Casting Associate:
Lillie Jeffrey

Co-Producer:
Alex Ashworth
Reg Poerscout-Edgerton

Construction Coordinator:
Jamie McCallum

Construction Manager:
Derek Fraser

Costume Design:
Pam Downe

Costume Supervisor:
Ros Marshall

Dialect Coach:
Carol Ann Crawford

Dialogue Editor:
Gavin Rose

Digital Imaging Technician:
Will Clements

Digital Intermediate Colorist:
Asa Shoul
Andrew Daniel

Director:
Kristoffer Nyholm

Director of Photography:
Jørgen Johansson

Editor:
Morten Højbjerg

Executive Producer:
Celyn Jones
D. G. Guyer
Danielle Robinson
Brian Oliver
James Lejsek
Compton Ross
Matthew Antoun
Mickey Gooch Jr.
Mark Strome
Phil Hunt

First Assistant Camera:
Andrew Mits M'Itwamwari

First Assistant Director:
Ben Burt

Foley Artist:
Carsten Richter

Foley Editor:
Grace Averbuch

Foley Mixer:
Hanse Warns

Gaffer:
Niels Dose

Hair Designer:
Jemma Harwood

Line Producer:
Tim Dennison

Location Assistant:
Lyndsay Tannahill

Location Manager:
Mike Panikkou

Makeup & Hair:
Lynda Armstrong

Makeup Artist:
Jess Heath
Molly Sheridan
Kathryn Morgan

Makeup Designer:
Jemma Harwood

Makeup Supervisor:
Lily Beckett

Orchestrator:
David J. Krystal

Original Music Composer:
Benjamin Wallfisch

Post Production Supervisor:
Carl Walters

Producer:
Jason Seagraves
Ade Shannon
Sean Marley
Andy Evans
Alan Siegel
Gerard Butler
Maurice Fadida

Production Accountant:
Jennine Baker

Production Coordinator:
Daniel Watkins

Production Design:
Jacqueline Abrahams

Production Executive:
Ross McKenzie

Production Manager:
Emma Biggins

Production Sound Mixer:
Simon Farmer

Property Master:
John Booth

Screenplay:
Joe Bone
Celyn Jones

Script Supervisor:
Beverly Winston

Second Assistant Camera:
Erin Currie
Andrew McKelvie

Second Assistant Director:
Jamie Hamer

Set Decoration:
Laurel Wear

Sound Editor:
Dillon Bennett

Sound Effects:
Matt Waites

Sound Re-Recording Mixer:
Dan Johnson

Special Effects Supervisor:
Mike Kelt

Still Photographer:
Graeme Hunter

Storyboard Artist:
Simon Bang

Stunt Coordinator:
Marc Cass

Stunt Double:
David Garrick
Bogdan Kumšackij
Brian Nickels
Donovan Louie

Supervising Sound Editor:
Dillon Bennett

Third Assistant Director:
Abi Ross

Unit Manager:
Richard Brough

Visual Effects Coordinator:
Chiara Finello

Wig Designer:
Sarah Weatherburn

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.