A work in constant progress (and occasional regress).
Release Date:
January 1, 2016
Original Title:
The Funeral
Genres:
Drama
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 11
A girl gives a eulogy for her father's funeral.
Associate Producer:
Greg Zatzkis
Audio Post Coordinator:
Chris White
Boom Operator:
Akosa Ibekwe
Colorist:
Joe Gawler
Digital Intermediate Colorist:
Joe Gawler
Digital Intermediate Producer:
Melissa Kelly
Matt Hawkins
Kevin Vale
Director:
Sophie Savides
Director of Photography:
Kelly Jeffrey
Editor:
Andrew Kovacic
First Assistant Camera:
Htat Htut
Gaffer:
Chris Wiezorek
Grip:
Matt Klammer
Hairstylist:
Teague Vivolo
Line Producer:
Christopher Blauvelt
Loader:
Asa Westcott
Makeup Artist:
Teague Vivolo
Original Music Composer:
Emily Yacina
Post Production Supervisor:
Barbara Jean Kearney
Producer:
Matt McCann
Jaime Blauvelt
Production Assistant:
Angel Cardenas
Joshua Gitta
Production Sound Mixer:
Andre Logan
Project Manager:
Bryn Neuenschwander
Second Assistant Camera:
Asa Westcott
Second Assistant Director:
Russell Pontone
Sound Re-Recording Mixer:
Eliott Taylor
Thanks:
Harris Savides
Joe Gawler
Miles Jay
Sarah Flack
Annie Hubbell
Robert Ragozzine
Beka Venezia
Karen Cinorre
HernĂ¡n Diaz
Jason McCormick
Kevin Vale
Sofia Coppola
Erik Schietinger
Oliver Schietinger
Stacey Battat
Courtney Bright
Jay Rubin
Felix Andrew
Sam Levy
Chris Parker
Nicole Daniels
Anne Ross
Noah Baumbach
Cat Green
Bryan Ridgell
Alec Sash
Barbara Jean Kearney
Cori Bardo
Matt McCann
Greg Zatzkis
Jaime Blauvelt
Ron Yoshida
Maya Hawke
Medine Savides
Frank Morelli
Christopher Blauvelt
Andrew Kovacic
Akosa Ibekwe
Matt Klammer
Matt Hawkins
Young Ja Yoo
Title Designer:
Andrew Kovacic
Truck Production Assistant:
Dwight Carter
Writer:
Sophie Savides
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.