To Be or Not to Be: Klingons and Shakespeare (2009) [N/A]

Release Date:
May 11, 2009

Original Title:
To Be or Not to Be: Klingons and Shakespeare

Genres:
Documentary | Drama | Science Fiction

Production Companies:
King Media Services

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 23

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

Additional information:

The Search Form


Assistant Editor:
Jason Williams

Camera Operator:
Kyle Gallagher

Carpenter:
Ben Chadwick

Costume Design:
Erin Haynes

Director:
Sasha Wallock

Editor:
Clayton Woodhull

Executive Producer:
Tim King

Other:
Laura Thurston
Philli Thorne

Post Coordinator:
Jonny Hylton

Producer:
Stephen R. Wolcott

Production Assistant:
Katie Willer

Production Coordinator:
Heather Hollin

Production Design:
Forest Godfrey

Production Office Assistant:
Keenan McCrary

Prop Designer:
Sasha Wallock
Jen Rand

Prosthetic Designer:
Bill Hedrick

Set Designer:
Christopher O. Kidder

Sound:
Jay Enyart

Sound Designer:
Forest Godfrey

Sound Re-Recording Mixer:
Steve Gregan

Special Effects Makeup Artist:
Rob Withoff

Thanks:
Carla Stock
Amy Smith
Lynn O'Leary
David Kenny
Emily Sullivan
Cindy Walker
Richard Fleischman
Crist Ballas

Visual Effects:
Andrew J. Ceperley

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.