A work in constant progress (and occasional regress).
Release Date:
December 23, 1994
Original Title:
Legends of the Fall
Alternate Titles:
Höstlegender
Lendas de Paixão
Wichry Namiętności
Genres:
Action | Drama | Romance | War | Western
Production Companies:
Bedford Falls Productions
Pangaea
TriStar Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CA: 14A CZ: 12+ DE: 12 DK: 15 ES: 12 FI: K-12 GB: 15 GR: 16 IE: 18 KR: 15 NL: 12 NZ: M PT: M/12 RU: 18+ SE: 15 US: R
Runtime: 133
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
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"B" Camera Operator:
Armin Matter
ADR Mixer:
Jeff Gomillion
ADR Supervisor:
Joseph A. Mayer
Additional Editing:
Robert Frazen
David Holden
Art Direction:
Rick Roberts
Andrew Precht
Assistant Costume Designer:
David Le Vey
Assistant Editor:
Caroline Hardon
Baylis Glascock
Ariel Nachmann
Assistant Sound Editor:
Karen Baker Landers
Best Boy Grip:
Gavin B. Craig
Boom Operator:
Reynald Trudel
Camera Operator:
John Clothier
Casting:
Mary Colquhoun
Chief Lighting Technician:
James Plannette
Co-Producer:
Sarah Caplan
Jane Bartelme
Construction Coordinator:
Jan Kobylka
Costume Design:
Deborah L. Scott
Dialogue Editor:
Catt LeBaigue
Harry Cheney
Mark R. La Pointe
Director:
Edward Zwick
Director of Photography:
John Toll
Dolly Grip:
Carey Toner
Editor:
Steven Rosenblum
Executive Producer:
Patrick Crowley
Extras Casting:
Lorelei Kuchera
First Assistant Camera:
Tony Guerin
First Assistant Director:
Nilo Otero
First Assistant Editor:
Cynthia E. Thornton
Foley Artist:
John T. Cucci
Gary A. Hecker
Foley Editor:
Willy Allen
Valerie Davidson
Patrick J. Foley
Foley Mixer:
Randy K. Singer
Foley Recordist:
Fred Peck III
Foley Supervisor:
Mark Gordon
Hairstylist:
Iloe Flewelling
Key Grip:
Bobby Huber
Key Hair Stylist:
Suzanne Stokes-Munton
Key Makeup Artist:
Jean Ann Black
Location Manager:
Murray Ord
Makeup & Hair:
Christine Beveridge
Makeup Artist:
Gail Kennedy
Music Editor:
Jim Henrikson
Negative Cutter:
Donah Bassett
Novel:
Jim Harrison
Original Music Composer:
James Horner
Producer:
Edward Zwick
William D. Wittliff
Marshall Herskovitz
Production Design:
Lilly Kilvert
Production Sound Mixer:
Douglas Ganton
Property Master:
Jimmy Chow
Scoring Mixer:
Shawn Murphy
Screenplay:
Susan Shilliday
William D. Wittliff
Script Supervisor:
Lara Fox
Second Assistant Camera:
Ciarán Copelin
Kirk Chiswell
Second Assistant Director:
Lewin Webb
Second Second Assistant Director:
Ani Baravyan
Set Decoration:
Dorree Cooper
Sound Effects Editor:
Randy Kelley
Dino DiMuro
Richard Dwan Jr.
Christopher Assells
Jay B. Richardson
Mark Larry
Sound Re-Recording Mixer:
David E. Campbell
Paul Massey
Special Effects Coordinator:
Mike Vézina
Still Photographer:
Kerry Hayes
Stunt Coordinator:
Gary Combs
Brent Woolsey
Stunts:
Gilbert B. Combs
Guy Bews
Joe Dodds
Jim Dunn
Fred Perron
Tom Glass
John Scott
Mike Mitchell
Jim Finkbeiner
Jason Glass
Tony Morelli
Greg Schlosser
Brent Woolsey
Tom Eirikson
J.J. Makaro
Melissa R. Stubbs
Supervising Sound Editor:
Per Hallberg
Lon Bender
Transportation Captain:
Brian Aebly
Transportation Coordinator:
Frank Mejerski
Unit Production Manager:
John M. Eckert
Unit Publicist:
Wendi Laski
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.