A work in constant progress (and occasional regress).
Release Date:
April 2, 2017
Original Title:
Concrete Evidence: A Fixer Upper Mystery
Alternate Titles:
Case e misteri 2
Fixer Upper Mysteries 2: Concrete Evidence
Fixer Upper Mysteries 2: High End Finish
Fixer Upper Mysteries 2: Preuve concrètes
Genres:
Crime | Mystery | TV Movie
Production Companies:
Muse Entertainment
Production Countries:
United States of America
Ratings / Certifications:
GB: PG US: G
Runtime: 90
When Mac—Shannon’s new beau—first moved to Lighthouse Cove, he bought the historic lighthouse mansion that the town is named after. During renovation demolition, the bones of a teenage girl who went missing fifteen years ago were discovered. If Shannon has any chance of getting the renovation back on track, she’ll need to tackle the cold case.
Art Direction:
Will Gendemann
Assistant Costume Designer:
Katri Tahvanainen
Assistant Editor:
Amanda Colquhoun
Shaun Lang
Assistant Hairstylist:
Brenda Grantham
Assistant Location Manager:
Steve Kinghorn
Assistant Makeup Artist:
Vanessa Messina
Cydney Sjostrom
Assistant Production Coordinator:
Maddy Eagen
Fabiola Arias
Assistant Set Decoration:
Melanie Martin
Background Casting Director:
Sara Brown
Best Boy Electric:
Greg Goudreau
Best Boy Grip:
Kody Williamson
Boom Operator:
Jarret Read
Camera Operator:
Björn Hermannes
Mike Kam
Casting:
Candice Elzinga
Casting Assistant:
Martina Smyth
Colorist:
Gary Shaw
Costume Designer:
Ken Shapkin
Costume Set Supervisor:
Constance Moerman
Craft Service:
Amber Dool
Bridget Beall
Dialogue Editor:
Eric Mouawad
Director:
Mark Jean
Director of Photography:
Tyler Walzak
Dolly Grip:
Austin De Pourcq
Editor:
James Ilecic
Executive Producer:
Jeff Holland
Stan Spry
Allen Lewis
Michael Prupas
Joel S. Rice
Jewel
First Assistant Camera:
Andrew Marchand-Boddy
Jordan Dowler-Coltman
First Assistant Director:
Matthew Blecha
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Bryn McCashin
Generator Operator:
Sean Grogan
Key Grip:
Connor Thorpe
Key Hair Stylist:
Danna Rutherford
Emily Franklin
Key Makeup Artist:
Sandy Cooper
Leadman:
Aidan Dalle Vedove
Location Manager:
Paul Russell
Music:
Michael Richard Plowman
Music Coordinator:
Francesca Cammarata
Music Supervisor:
Valerie Biggin
Novel:
Kate Carlisle
Online Editor:
Oliver Granillo
Post Production Coordinator:
Nikki Lee
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Production Accountant:
Nicola Eagen
Production Coordinator:
Miles Gorovich
Production Design:
Michael Goodwin
Production Manager:
Allen Lewis
Property Master:
Laurin Kelsey
Script Supervisor:
Lisa Rerrie
Second Assistant Camera:
Bailey Mills
Trevor Burdoch
Second Assistant Director:
Megan Malet-Veale
Set Decoration:
Raelene Knowles
Set Dresser:
Karen Lancey
Sound Designer:
Tony Gort
Sound Mixer:
Eric Lamontagne
Sound Re-Recording Mixer:
Angelo Nicoloyannis
Craig George
Special Effects Supervisor:
Darcy Davis
Still Photographer:
Ryan Plummer
Stunt Coordinator:
Hugo Steele
Brett Armstrong
Stunt Double:
Ania Markiewicz
Sean Tyson
Supervising Producer:
Meghan Mathes
John Cassini
Third Assistant Director:
Renee Samuels
Transportation Captain:
Tsering Rongae
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Katharine Lemmon
Visual Effects Supervisor:
Barry Liu
Writer:
Teena Booth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.