A work in constant progress (and occasional regress).
Release Date:
September 27, 1947
Original Title:
Antoine et Antoinette
Alternate Titles:
Antoine and Antoinette
Antoine et Antoinette
Antoine und Antoinette
Antoni i Antonina
Två i Paris
Zwei in Paris
Genres:
Comedy | Drama | Romance
Production Companies:
Gaumont
Production Countries:
France
Ratings / Certifications:
DE: 12 FR: U
Runtime: 88
1947, in France, Antoine (Roger Pigaut) and Antoinette (Claire Mafféi), a young couple living in Paris, lead a monotonous existence: he works in a print shop while she is a shop assistant. But one evening, they regain hope: Antoine finds a winning lottery ticket in his girlfriend's handbag. He decides to cash it in, but loses his wallet. What follows is a series of twists and turns that redefine the couple's priorities while forcing them to remain optimistic.
Assistant Director:
Marcel Camus
Maurice Griffe
Assistant Editor:
Étiennette Muse
Assistant Production Manager:
Jean Goiran
Camera Operator:
Pierre Ancrenaz
Roger Dormoy
Conductor:
Roger Desormière
Director:
Jacques Becker
Director of Photography:
Pierre Montazel
Editor:
Marguerite Renoir
Makeup Artist:
Joseph Mejinsky
Music:
Jean-Jacques Grünenwald
Producer:
Georges André
Production Design:
Robert-Jules Garnier
Production Manager:
Charles-Félix Tavano
Script Supervisor:
Colette Crochot
Sound Recordist:
Jacques Carrère
Jacques Lebreton
Unit Manager:
Eugène Nase
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.