A work in constant progress (and occasional regress).
Release Date:
April 30, 2009
Original Title:
Nedodržaný sľub
Alternate Titles:
El camino de la libertad
Niedotrzymana obietnica
Genres:
Drama | History | War
Production Companies:
Genta Film
JPEF
SPI International
Slovenská televízia
Studio 727
Česká televize
Production Countries:
Czech Republic | Slovakia | United States of America
Ratings / Certifications:
BR: 14 CZ: 12 DE: 16 GB: 15 SE: 15
Runtime: 135
Slovakia, on the eve of the outbreak of World War II. The family of the young Jewish Martin Friedmann gathers to celebrate his bar mitzvah and make a solemn promise that they will all meet again a year later around the same table; but the storms of war and anti-Semitic fanaticism will lead each of them down very different paths.
Assistant Camera:
Rafael Skurka
Assistant Director:
Paula Hrmová
Richard 'Kay' Kardhordo
Book:
Martin Friedmann-Petrásek
Casting:
Ingrid Hodálová
Co-Producer:
Alena Nováková
Ivan Hronec
Jaroslav Kučera
Vladimír Bednár
Costume Designer:
Simona Vachálková
Director:
Jiří Chlumský
Director of Photography:
Ján Ďuriš
Editor:
Vassilis Skalenakis
Executive Producer:
Peter Hlava
First Assistant Director:
Peter Pálka
Makeup Department Head:
Juraj Steiner
Original Music Composer:
Michal Novinski
Producer:
Iveta Černá Ivanová
Production Design:
Viera Dandová
Oliver Csiky
Production Designer:
Vlado Černý
Production Manager:
Jiří Koštýř
Screenplay:
Jan Novák
Script Supervisor:
Eva Dutková
Second Unit Director:
Petr Hartl
Second Unit Director of Photography:
Tomáš Juríček
Sound Assistant:
Pavel Bělohlávek
Sound Designer:
Martin Večeřa
Special Effects:
František 'Šuli' Rakický
Kamil Jaffar
Jozef Ťaptík
Milan 'Šuli' Rakický
Still Photographer:
Pavol Breier
Stunt Coordinator:
Monika Fišerová
Visual Effects:
Juraj Kráľ
Juraj Tomík
Ondrej Azor
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.