A work in constant progress (and occasional regress).
Release Date:
August 22, 1986
Original Title:
Extremities
Alternate Titles:
Acorralada
Akrotites
Elszabadult indulatok
Extremidades
Extremities (La humillación)
Humilhação
I en kvinnes makt
Naisen kosto
Onur meselesi
Poseída por el miedo
Seduzida ao Extremo
Skrajnosci
Tot het uiterste
Voldtægt?
Крайности
Genres:
Drama | Thriller
Production Companies:
Atlantic Entertainment Group
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 GB: 18 HU: 16 IE: 16 US: R
Runtime: 89
A woman escapes from the man who is about to rape her, but leaves her purse behind. Afraid that her attacker might come after her, she goes to the police, but with no proof of the incident, they can do nothing. In fact, the man does use the information in her bag and comes to her apartment with the intent of rape, but she sprays him in the face with insect repellent, and then holds him captive. She is then faced with deciding whether to go to the police who might not believe her and release him, or to kill him.
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Additional Casting:
DeVera Marcus
Assistant Property Master:
R. Vincent Smith
Casting:
Richard Pagano
Casting Associate:
Sharon Bialy
Costume Design:
Linda M. Bass
Director:
Robert M. Young
Director of Photography:
Curtis Clark
Editor:
Arthur Coburn
Executive Producer:
Thomas Coleman
Michael Rosenblatt
Gaffer:
Michael F. Barrow
Hairstylist:
Bonnie Walker
Key Makeup Artist:
Richard Arrington
Line Producer:
George W. Perkins
Scott M. Rosenfelt
Makeup & Hair Assistant:
Mary Beth Felts
Original Music Composer:
J.A.C. Redford
Producer:
Burt Sugarman
Production Design:
Chester Kaczenski
Production Manager:
Scott M. Rosenfelt
Screenplay:
William Mastrosimone
Script Supervisor:
Kerry Lyn McKissick
Set Decoration:
Rosemary Brandenburg
Special Effects Makeup Artist:
Steve LaPorte
Stunt Coordinator:
Jeannie Epper
Theatre Play:
William Mastrosimone
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.