A work in constant progress (and occasional regress).
Release Date:
February 12, 1987
Original Title:
Personal Services
Genres:
Comedy
Production Companies:
British Screen Productions
United International Pictures
Zenith Entertainment
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 US: R
Runtime: 105
The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter as the down-at-heel waitress who, with the help of prostitute Shirley and cross-dressing Wing Commander Morten, seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it's fair to say that the presiding judge isn't unfamiliar with her work.
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Art Direction:
Jane Coleman
Assistant Sound Editor:
Laurie McDowell
Boom Operator:
Colin Codner
Camera Operator:
Roger Deakins
Casting:
Debbie McWilliams
Construction Manager:
Alastair Gow
Continuity:
Francine Brown
Costume Design:
Shuna Harwood
Director:
Terry Jones
Director of Photography:
Roger Deakins
Editor:
George Akers
First Assistant Director:
Micky Finch
First Assistant Editor:
Dennis McTaggart
Gaffer:
John Higgins
Hairdresser:
Carole Bennett
Makeup Artist:
Jenny Shircore
Sancia Simpson
Original Music Composer:
John Du Prez
Producer:
Tim Bevan
Production Coordinator:
Sarah Cellan-Jones
Production Design:
Hugo Luczyc-Wyhowski
Production Manager:
Jane Frazer
Property Master:
Ray Perry Sr.
Publicist:
Sara Keene
Second Assistant Director:
Fraser Copp
Sound Recordist:
Garth Marshall
Steadicam Operator:
John Ward
Still Photographer:
Mike Laye
Stunt Coordinator:
Alan Stuart
Jim Dowdall
Third Assistant Director:
Tim Dennison
Writer:
David Leland
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.