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The Upside (2019) [PG-13]

Release Date:
January 10, 2019

Original Title:
The Upside

Alternate Titles:
1+1. Голливудская история [The Upside (2018)]
Amigos por siempre
Sempre Amici
Sous un autre jour
The Intouchables
The Untouchables
The Upside (Amigos para siempre)
Untouchable
אפסייד

Genres:
Comedy | Drama

Production Companies:
Escape Artists

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  AU: M  CZ: 15+  DE: 6  ES: 16  GB: 12A  IE: 12A  IL: הותר לכל הגילאים  JP: G  KR: 12  LT: N-13  NL: 12  RO: 12  RU: 16+  US: PG-13 

Runtime: 126

Based on a true story.

Overview from TheMovieDB

Phillip is a wealthy quadriplegic who needs a caretaker to help him with his day-to-day routine in his New York penthouse. He decides to hire Dell, a struggling parolee who's trying to reconnect with his ex and his young son. Despite coming from two different worlds, an unlikely friendship starts to blossom.

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Performers

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Production

"B" Camera Operator:
Benjamin Semanoff

ADR Editor:
Lidia Tamplenizza

ADR Recordist:
Bobby Johanson

Art Department Coordinator:
Dave Kellom

Art Direction:
Ryan Heck
Tom Frohling

Assistant Art Director:
Erica Hohf
Tobin Ost

Assistant Property Master:
Susannah McCarthy

Assistant Set Decoration:
Alyssa Winter

Best Boy Electric:
Peter Russell

Boom Operator:
Michael Primmer

Casting:
Kerry Barden
Paul Schnee

Construction Coordinator:
Paul Maiello

Costume Design:
Kasia Walicka Maimone

Director:
Neil Burger

Director of Photography:
Stuart Dryburgh

Editor:
Naomi Geraghty

Executive In Charge Of Post Production:
Shea Sinclair

Executive In Charge Of Production:
Ron Lynch

Executive Producer:
G. Mac Brown
Milos Brajovic
Andy Mitchell
David Bloomfield
Chris Papavasiliou
Adam Fogelson
Robert Simonds

First Assistant Director:
Timothy Bird

First Assistant Editor:
Beth Moran

First Assistant Sound Editor:
Rick Chefalas

Foley Artist:
Jay Peck

Foley Editor:
Dave Flynch

Foley Mixer:
Matthew Haasch

Gaffer:
Bill Almeida

Hair Department Head:
Frank Barbosa

Hairstylist:
Frances Mathias
John Clausell

In Memory Of:
Aretha Franklin

Key Grip:
George Patsos

Key Hair Stylist:
Patricia Grande
Diane Dixon

Key Makeup Artist:
Diane Heller

Leadman:
Scott Rosenstock

Location Manager:
Sam Hutchins

Makeup Artist:
Tina Roesler Kerwin

Makeup Department Head:
Bernadette Mazur
Don Kozma

Music Editor:
John M. Davis
Katherine Gordon Miller

Music Supervisor:
Randall Poster

Original Film Writer:
Olivier Nakache
Éric Toledano

Original Music Composer:
Rob Simonsen

Post Production Supervisor:
Stuart Macphee

Producer:
Todd Black
Jason Blumenthal
Steve Tisch
Nick Greece

Production Coordinator:
Morgan Newell

Production Design:
Mark Friedberg

Production Supervisor:
Lindsay Feldman

Property Master:
Duke Scoppa

Screenplay:
Jon Hartmere

Script Supervisor:
Dianne Dreyer

Seamstress:
Kara Morasco

Second Assistant Director:
Brad Robinson

Second Unit Director:
G. A. Aguilar
Mark Friedberg

Set Decorating Coordinator:
Maggie Adams

Set Decoration:
William M. Staab
Beth A. Rubino

Sound Effects Editor:
Larry Zipf
Wyatt Sprague

Sound Mixer:
Drew Kunin

Sound Re-Recording Mixer:
Paul Urmson
Michael Barry

Steadicam Operator:
Benjamin Semanoff

Still Photographer:
David Lee

Storyboard Artist:
Brick Mason

Stunt Coordinator:
G. A. Aguilar

Stunt Driver:
Caroline Vexler

Stunts:
Peter Epstein
Blaise Corrigan
Jill Brown

Supervising Art Director:
Kim Jennings

Supervising Sound Editor:
Paul Urmson

Unit Production Manager:
G. Mac Brown

Unit Publicist:
Amy Leigh Johnson

Utility Sound:
Mike Ford

Video Assist Operator:
Christopher Murphy

Wardrobe Supervisor:
Kortney Lawlor

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.