A work in constant progress (and occasional regress).
Release Date:
February 4, 2017
Original Title:
Walking the Dog
Alternate Titles:
Te Amo pra Cachorro
Genres:
Comedy | Romance | TV Movie
Production Companies:
Dog Road Productions
Front Street Pictures
Sonar Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 83
Kristie Simmons, an attorney, initiates a legal battle trying to get approval for a bike lane for the local residents. When Bill, a local veterinarian, informs her that a dog named Gidget needs a home, Kristie agrees. While out walking Gidget, Kristie meets Keith Amos, an attorney on assignment from Seattle, while he's walking his lovable dog, Simon. Keith is immediately smitten with Kristie, her initially pleasant reaction to him turns sour when she learns he is her opposing counsel in the bike lane case.
"A" Camera Operator:
Greg Coletti
"B" Camera Operator:
Björn Hermannes
Accountant:
Svatia Sakarova
Assistant Accountant:
Maddy Eagen
Assistant Editor:
Cindy Au Yeung
Kevin Yang
Assistant Hairstylist:
Robyn Lloyd
Assistant Location Manager:
Steve Kinghorn
Assistant Makeup Artist:
Cydney Sjostrom
Assistant Production Coordinator:
Lance Deyaeger
Fabiola Arias
Assistant Property Master:
Alexander Campbell
Assistant Set Decoration:
Ceara Lornie
Assistant Sound Editor:
Sean Szutka
Associate Producer:
Michael Shepard
Denielle Jackson
Jason Macintyre
Best Boy Electric:
Greg Goudreau
Best Boy Grip:
Ben Herman
Boom Operator:
Tony Poulsen
Casting:
Jackie Lind
Colorist:
Jimmy Hsu
Costume Designer:
Emily Gray
Jaralin Detienne
Costume Set Supervisor:
Julia Boyce-Sargent
Craft Service:
Melissa Muller
Dialogue Editor:
Eric Mouawad
Digital Imaging Technician:
Shannon Zawartka
Devon Stackhouse
Director:
Gary Harvey
Director of Photography:
Tyler Walzak
Dolly Grip:
Austin De Pourcq
Editor:
Richard Schwadel
Executive Producer:
Anne Carlucci
Extras Casting:
Sara Brown
First Assistant "A" Camera:
Tegan Kolodinski
First Assistant "B" Camera:
Jordan Dowler-Coltman
First Assistant Director:
Matthew Blecha
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Bryn McCashin
Generator Operator:
Sean Grogan
Key Grip:
Connor Thorpe
Key Hair Stylist:
Shelly Jensen
Key Makeup Artist:
Pamela M. Athayde
Lead Set Dresser:
Aidan Dalle Vedove
Location Manager:
Paul Russell
Music Coordinator:
Sian O'Byrne
Music Supervisor:
Valerie Biggin
Original Music Composer:
Chris Ainscough
Payroll Accountant:
Marion Christou
Post Production Coordinator:
Nikki Lee
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Production Accountant:
Nicola Eagen
Production Controller:
Marnie Termuende
Production Coordinator:
Miles Gorovich
Production Design:
Trevor Belcourt
Production Manager:
John Prince
Production Sound Mixer:
James Schoening
Property Master:
Krysia Dumala
Script Supervisor:
Jessica L. Randall
Danielle de Smit
Second Assistant "A" Camera:
Bailey Mills
Second Assistant "B" Camera:
Andrew Marchand-Boddy
Second Assistant Director:
Megan Malet-Veale
Security Coordinator:
Brent Corbin
Set Decoration:
Raelene Knowles
Set Dresser:
Emma Banner
Sound Designer:
Eva Madden
Sound Re-Recording Mixer:
Angelo Nicoloyannis
Greg Stewart
Story:
Ron Cutler
Ruth Cutler
Stunt Coordinator:
Hugo Steele
Stunt Double:
Douglas Armstrong
Teleplay:
Ron Cutler
Third Assistant Director:
Jake Warren
Transportation Captain:
Derek Keillor
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Raven G. Basi
Visual Effects Supervisor:
Barry Liu
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.