A work in constant progress (and occasional regress).
Release Date:
April 7, 2017
Original Title:
Órbita 9
Alternate Titles:
Orbiter 9
Διαστημόπλοιο 9
Орбита 9
오비터 9
Genres:
Drama | Romance | Science Fiction
Production Companies:
Cactus Flower
Dynamo
Telefónica Studios
Production Countries:
Colombia | Spain
Ratings / Certifications:
DE: 12 GB: 12 JP: G RU: 16+
Runtime: 95
Helena, a young woman on a deep space mission, has been alone for 20 years. Her parents abandoned ship after a technical malfunction made it impossible for all three of them to reach their intended destination. Alex, an isolated engineer, is about to enter her life and turn her world upside down.
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Art Department Coordinator:
Laura Lopera
Art Direction:
María Fernanda Muñoz
Assistant Art Director:
Peio Villalba
Juan Fernando Aragón
Assistant Costume Designer:
Carolina Serna
Assistant Editor:
Javi Frutos
Casting:
María Juliana Casadiego
Costume Design:
Saioa Lara
Dialogue Editor:
Iñaki Sánchez-Elvira
Director:
Hatem Khraiche
Director of Photography:
Pau Esteve Birba
Editor:
Antonio Frutos
Executive Producer:
Axel Kuschevatzky
First Assistant Camera:
Gaizko Fanarraga
Hairstylist:
Itziar Arrieta
Key Grip:
Elynarco Garay
Makeup Artist:
Eva Alfonso
Makeup Designer:
Olga Turrini Bernardoni
Original Music Composer:
Federico Jusid
Producer:
Miguel Menéndez de Zubillaga
Cristian Conti
Production Design:
Iñigo Navarro
Property Master:
Ane Arteaga
Script Supervisor:
Ane Muñoz
Biviana Márquez
Set Decoration:
Maria Andrea Rangel
Sound Designer:
Álvaro López-Arregui
Sound Effects Editor:
Peter Memmer
Jorge Alarcón
Sound Re-Recording Mixer:
Steve Miller
Special Effects Supervisor:
Jon Serrano Serván
Still Photographer:
Héctor Álvarez
Visual Effects Producer:
Ana Rubio
Visual Effects Supervisor:
Juanma Nogales
Writer:
Hatem Khraiche
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.