A work in constant progress (and occasional regress).
Release Date:
November 18, 2010
Original Title:
The Next Three Days
Alternate Titles:
3 Ngày Để Yêu, 3 Ngày Để Chết
72 Horas
72 Stunden - The Next Three Days
A következő három nap
Aizbēgt trīs dienās
Dla niej wszystko
Kaçış Planı
Les Trois Prochains Jours
Los próximos tres días
The Next 3 Days
Tout pour elle
Tri dni k slobode
Tri dnja na pobeg
Trys įtemptos dienos
Tři dny ke svobodě
Următoarele trei zile
Οι Επόμενες Τρεις Μέρες
Следващите три дни
Три дня на побег
Три дні на втечу
שלושת הימים הבאים
الثلاثة أيام التالية
ذا نكست ثري ديز
แผนอัจฉริยะ แหกด่านหนีนรก
スリーデイズ
三日危情
危情三日
關鍵救援72小時
驚劫72小時
쓰리데이즈
Genres:
Crime | Drama | Romance | Thriller
Production Companies:
Fidélité Films
Hwy61
Lionsgate
Production Countries:
France | United States of America
Ratings / Certifications:
AU: M BR: 14 anos CZ: 12 DE: 12 DK: 11 ES: 12 FI: K-10 FR: TP GB: 12A GR: 13 HU: 16 IE: 12A IT: T JP: PG12 KR: 15 LT: N-13 NL: 12 PT: M/12 RU: 12+ SE: 15 US: PG-13
Runtime: 133
A married couple's life is turned upside down when the wife is accused of murdering her boss. Her husband John would spend the next few years trying to get her released, but there's no evidence that negates the evidence against her. When the strain of being separated from her husband and son gets to her, John decides to find a way to break her out.
Aerial Director of Photography:
David B. Nowell
Art Department Coordinator:
Jenn Albaugh
Art Direction:
Gregory S. Hooper
Best Boy Electric:
Paul Hazard
Camera Operator:
Stéphane Fontaine
Phil Oetiker
Casting:
Randi Hiller
Casting Associate:
Tamara-Lee Notcutt
Construction Coordinator:
Joseph Waterkotte
Costume Design:
Abigail Murray
Director:
Paul Haggis
Director of Photography:
Stéphane Fontaine
Henry Lynk
Editor:
Jo Francis
Electrician:
Bob Dodd
Jean-Pierre Nutini
Travis Johnston
Pete Klingenberg
David Pipik
Epk Camera Operator:
Michael Fitzgerald
Executive Producer:
Anthony Katagas
Agnès Mentre
First Assistant "A" Camera:
Eric Swanek
First Assistant "B" Camera:
Frank Rinato
First Assistant "C" Camera:
Richard S. Crumrine Jr.
Gaffer:
James B. Crawford
Generator Operator:
Chris Walden
Hair Department Head:
Camille Friend
Key Grip:
Manny Duran
Key Hair Stylist:
Roxanne Wightman
Key Makeup Artist:
Kelley Mitchell
Key Rigging Grip:
Pat Dames
Libra Head Technician:
Chris Bangma
Makeup Department Head:
Melanie Hughes
Original Film Writer:
Guillaume Lemans
Fred Cavayé
Original Music Composer:
Danny Elfman
Producer:
Eugénie Grandval
Olivier Delbosc
Marc Missonnier
Michael Nozik
Paul Haggis
Production Design:
Laurence Bennett
Rigging Gaffer:
James Keys
Rigging Grip:
Eric Riedmann
Screenplay:
Paul Haggis
Script Supervisor:
Brenda K. Wachel
Second Unit Director of Photography:
Craig Haagensen
Set Decoration:
Linda Lee Sutton
Set Production Assistant:
Michael W. Craven
Still Photographer:
Phillip V. Caruso
Stunt Coordinator:
Manny Siverio
Stunts:
Meegan E. Godfrey
Caroline Vexler
Damian Achilles
Nicole Callender
Don Abbatiello
Scott Burik
Chick Bernhard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.