A work in constant progress (and occasional regress).
Release Date:
August 25, 1989
Original Title:
Millennium
Alternate Titles:
Entführung in die Zukunft
Μιλλένιουμ
Genres:
Science Fiction
Production Companies:
20th Century Fox
Gladden Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
GB: PG US: PG-13
Runtime: 105
An investigator seeking the cause of an airline disaster discovers the involvement of an organisation of time travellers from a future Earth irreparably polluted who seek to rejuvenate the human race from those about to die in the past. Based on a novel by John Varley.
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ADR Editor:
Robin Leigh
Dale Sheldrake
Art Direction:
Charles Dunlop
Assistant Art Director:
Alfred
Assistant Foley Artist:
Donna Powell
Kelly Hall
Assistant Makeup Artist:
Paula Saunders
Dana Joon
Linda Crawford
Leslie A. Sebert
Ursula Masten Voss
Ken Freeman
Assistant Set Decoration:
Gustave Meunier
Assistant Sound Editor:
Joe Lafontaine
Patricia Gardner
Boom Operator:
Reynald Trudel
Camera Operator:
Henri Fiks
Robert Saad
Casting:
Deirdre Bowen
Choreographer:
Glen Kotyk
Co-Producer:
Robert Vince
Continuity:
Harold Michelson
Costume Designer:
Olga Dimitrovová
Dialogue Editor:
Penny Hozy
Director:
Michael Anderson
Director of Photography:
Rene O'Hashi
Editor:
Ron Wisman
Executive Producer:
John Foreman
Louis M. Silverstein
Freddie Fields
P. Gael Mourant
Extras Casting:
Peter Lavender
Extras Casting Assistant:
Diane Bell
First Assistant Art Direction:
Perri Gorrara
First Assistant Camera:
Kerry Smart
First Assistant Director:
Michael Zenon
First Assistant Editor:
Stephen Humble
First Assistant Hairstylist:
Sherry Baker
Foley Artist:
Terry Burke
Key Hair Stylist:
Albert Paradis
Makeup Artist:
Barbie Palmer
Original Music Composer:
Eric Robertson
Post Production Coordinator:
Irka M. Iwachiw
Producer:
Douglas Leiterman
Bruce McNall
Production Design:
Gene Rudolf
Production Manager:
Dan Nyberg
Production Sound Mixer:
Douglas Ganton
Prosthetic Makeup Artist:
Robert Laden
Prosthetics:
Malcolm Tanner
Screenplay:
John Varley
Script Supervisor:
Sarah Grahame
Seamstress:
Nadia Jarvis
Second Assistant Art Director:
Wendy Morrow
Second Assistant Camera:
Stewart Aziz
Second Assistant Director:
Bill Bannerman
Second Unit Director of Photography:
John Harris
Set Decoration:
Jacques M. Bradette
Set Designer:
Jeff Ginn
Set Dresser:
Caroline George-Kohne
Dan Conley
Short Story:
John Varley
Sound Effects Editor:
Alan Hardiman
Sound Re-Recording Mixer:
Paul Coombe
Don White
Marvin Berns
Special Effects:
Nick Fischer
Special Effects Assistant:
Dan Purdy
Kaz Kobielski
Bob Hall
Steadicam Operator:
Jon Cassar
Julian Chojnacki
Robert Crone
Still Photographer:
David Whittaker
Stunt Coordinator:
Shane Cardwell
Stunts:
Alison Reid
Shelley Cook
Marco Bianco
Dennis Lundin
Rick Forsayeth
Ted Hanlan
Robert Hannah
Jamie Jones
Debbie Kirby
Leslie Munro
Ken Quinn
Branko Racki
Dan Redford
T.J. Scott
Suzanne Smith
John Stoneham Sr.
John Stoneham Jr.
Jérôme Tiberghien
Supervising Producer:
John M. Eckert
Supervising Sound Editor:
Jim Hopkins
Third Assistant Director:
Greg Zenon
Visual Effects Director:
Sam Nicholson
Visual Effects Supervisor:
Robert Ryan
Wardrobe Assistant:
Elizabeth Fleet
Ton Pascal
Wigmaker:
Paul R.J. Elliot
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.