The Good, the Bad and the Ugly (1966) [R]

Release Date:
December 22, 1966

Original Title:
Il buono, il brutto, il cattivo

Alternate Titles:
A Jó, a Rossz és a Csúf
De Goede, de Slechte en de Gemene
Den gode, den onde og den grusomme
Den gode, den onde, den fule
Dobry, zły i brzydki
El bueno, el feo y el malo
El bueno, el malo y el feo
Geras, blogas ir bjaurus
Hyvät, pahat ja rumat
Il buono, il brutto, il cattivo
Iyi, Kötü ve Çirkin
Le Bon, la Brute et le Truand
O Bom, o Mau e o Feio
O Bom, o Mau e o Vilão
Três Homens em Conflito
Yaxşı, Pis və Çirkin
Ο καλός, ο κακός και ο άσχημος
Добар, лош, зао
Добрият, лошият, злият
Хороший, плохой, злой
הטוב, הרע והמכוער
الطيب , الشرس و القبيح
獨行俠決鬥地獄門
続・夕陽のガンマン
続・夕陽のガンマン 地獄の決斗
黃昏三鏢客
黃昏三鑣客
석양에 돌아오다
석양의 무법자

Genres:
Western

Production Companies:
Arturo González PC
Constantin Film
PEA
United Artists

Production Countries:
Germany | Italy | Spain | United States of America

Ratings / Certifications:
AR: 16  AU: MA 15+  BR: 14  CA: R  DE: 16  DK: 15  ES: 12  FI: K-16|K-18  FR: TP  GB: 18  GR: K-16   HU: 16  IE: 18  IN: A  IT: VM14|T  JP: G  KR: 15  LT: N-18  MX: C  NL: 16  NO: 15|18  PH: R-18  PL: 16  PT: M/12  RO: 18+  RU: 16+  SE: 15  SG: PG  TR: 15+   US: R 

Runtime: 161

For three men the Civil War wasn't hell. It was practice.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

British Film Institute (BFI)

2012
#59
Directors' Top 100 Poll
Greatest Films of All Time

Additional Dialogue:
Sergio Donati

Assistant Art Director:
Carlo Leva

Assistant Director:
Fabrizio Gianni
Giancarlo Santi

Camera Operator:
Franco Di Giacomo

Colorist:
Nazzareno Neri

Costume Design:
Carlo Simi

Dialogue:
Mickey Knox

Director:
Sergio Leone

Director of Photography:
Tonino Delli Colli

Editor:
Eugenio Alabiso
Nino Baragli

First Assistant Camera:
Sergio Salvati

Foley Artist:
Aldo Ciorba

Grip:
Domenico Parrello

Hairdresser:
Rino Todero

Makeup Artist:
Rino Carboni

Music Arranger:
Alessandro Alessandroni

Music Director:
Bruno Nicolai

Musician:
Franco Cosacchi
Michele Lacerenza
John O'Neill
Alessandro Alessandroni
Gianna Spagnolo
Nino Dei
Francesco Catania
Franco De Gemini
Vincenzo Restuccia
Italo Cammarota
Enzo Gioieni
Nicola Samale
Cantori Moderni Di Alessandroni
E. Wolf Ferrari
Bruno Battisti D'Amario
Edda Dell'Orso

Original Music Composer:
Ennio Morricone

Producer:
Alberto Grimaldi

Production Assistant:
Carlo Bartolini
Federico Tofi

Production Design:
Carlo Simi

Production Manager:
Gray Frederickson
José Antonio Pérez Giner
Fernando Cinquini

Production Secretary:
Antonio Palombi
Luigi Corbo

Production Supervisor:
Aldo Pomilia

Screenplay:
Luciano Vincenzoni
Sergio Leone
Agenore Incrocci
Furio Scarpelli

Script Supervisor:
Serena Canevari

Sound Engineer:
Vittorio De Sisti
Elio Pacella

Sound Mixer:
Fausto Ancillai

Special Effects:
Eros Bacciucchi
Giovanni Corridori
Antonio Baquero

Still Photographer:
Angelo Novi

Story:
Luciano Vincenzoni
Sergio Leone

Stunt Coordinator:
Benito Stefanelli

Stunts:
Román Ariznavarreta
Fabio Testi
John Landis
Benito Stefanelli
Luigi Ciavarro
Romano Puppo
Valentino Pelizzi

Title Designer:
Igino Lardani

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.