A work in constant progress (and occasional regress).
Release Date:
July 25, 1980
Original Title:
Chlapi přece nepláčou
Alternate Titles:
Chlapi prece neplácou
Genres:
Family
Production Companies:
Filmové studio Gottwaldov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 81
The holidays began and Pepík Janousek is playing with his friend Hadraba, whose nickname is Sun. Sun has to baby-sit his small brother in a pram and envies Pepík his nice adoptive parents because his own father beats him often. Pepík is happy - he will have soon the same surname Marek as his father and mother. Pepík is shocked when Sun tells him that Mrs Marková is pregnant. He falls from a height and ends up in hospital. Despite of all expressed love and care Pepík is afraid that the Mareks will no longer want him.
Assistant Camera:
Arne Parduba
Assistant Director:
Vladimír Prager
Marta Svobodová
Assistant Editor:
Marie Vrlová
Assistant Production Design:
František Borovec
Camera Operator:
Juraj Fándli
Clapper Loader:
Dagmar Ondrová
Costume Design:
Taťána Havlíčková
Costumer:
Zdenka Jarošová
Růžena Harapátová
Director:
Josef Pinkava
Director of Photography:
Karel Kopecký
Dramaturgy:
Jaroslav Petřík
Editor:
Antonín Štrojsa
First Assistant Director:
Hana Pinkavová
Makeup & Hair:
Otakar Košťál
Ctibor Kloupar
Novel:
Marie Kubátová
Original Music Composer:
Angelo Michajlov
Production Assistant:
Jiří Zemanec
Production Design:
Josef Havlíček
Production Manager:
Rostislav Stružka
Screenplay:
Milan Šimek
Josef Pinkava
Set Decoration:
Ivo Formánek
Otto Buchta
Emil Hrazdira
František Santarius
Josef Šťovíček st.
Sound:
Radomír Koutek
Still Photographer:
Otto Kamenský
Unit Production Manager:
Jaromír Metyš
Jindřich Ujčík
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.