A work in constant progress (and occasional regress).
Release Date:
December 1, 2016
Original Title:
La stoffa dei sogni
Genres:
Comedy
Production Companies:
PACO Cinematografica
RAI Cinema
White Pictures
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 98
Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.
Assistant Camera:
Andrea Collepiccolo
Diego Falconieri
Assistant Editor:
Marina Verri
Camera Operator:
Aldo Chessari
Casting:
Gianluca Greco
Co-Writer:
Francesco Marino
Costume Design:
Beatrice Giannini
Elisabetta Antico
Delegated Producer:
Massimo Monachini
Digital Colorist:
Fabrizio Conti
Director:
Gianfranco Cabiddu
Director of Photography:
Vincenzo Carpineta
Editor:
Alessio Doglione
Executive Producer:
Guido De Laurentiis
First Assistant Director:
Edoardo Ferretti
Foley Artist:
Enzo Diliberto
Gaffer:
Ettore Abate
Hair Department Head:
Maria Gerolama Sale
Key Grip:
Angelo Donatone
Makeup Department Head:
Silvia Beltrani
Original Music Composer:
Franco Piersanti
Post Production Coordinator:
Monica Verzolini
Producer:
Isabella Cocuzza
Arturo Paglia
Production Design:
Livia Borgognoni
Production Manager:
Marta Razzano
Screenplay:
Gianfranco Cabiddu
Ugo Chiti
Salvatore De Mola
Script Supervisor:
Maria Vittoria Abbrugiati
Second Assistant Director:
Alessandra Fortuna
Gilles Cannatella
Set Decoration:
Valeria Paoloni
Sound:
Filippo Porcari
Federica Ripani
Sound Editor:
Claudio Spinelli
Sound Effects Editor:
Marco Marinelli
Massimo Marinelli
Theo Francocci
Sound Mixer:
Alessandro Checcacci
Story:
Gianfranco Cabiddu
Theatre Play:
Eduardo De Filippo
Visual Effects Coordinator:
Nicola Pentecoste
Visual Effects Producer:
Gian Luca Rizzo
Visual Effects Supervisor:
Corrado Rizzo
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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