A work in constant progress (and occasional regress).
Release Date:
November 27, 2016
Original Title:
Her Dark Past
Alternate Titles:
Las mil caras de Alicia
O Passado de Alice
The many faces of Alice
Genres:
Mystery | TV Movie | Thriller
Production Companies:
Gingersnap Productions
MarVista Entertainment
normal.
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 80
After waking up from a coma, Alice has no memory. As she learns the horrible truths about her past self, she must fight for redemption.
ADR Recordist:
Glen Frazier
ADR Supervisor:
Mike Varela
Art Department Production Assistant:
Christopher "Blue" Prange
Jessica Jazmin Lopez
Karen Rich
Art Direction:
Caitlin Laingen
Assistant Set Decoration:
Tamara Gurevich
Assistant Sound Editor:
Nathan Efstation
Background Casting Director:
Morgue Marcus
Best Boy Electric:
Alex Gracie
Best Boy Grip:
Chris 'Pinto' Montgomery
Boom Operator:
Craig Littleton
Casting:
Michael Testa
Casting Assistant:
Kimberly Foster-McCollum
Co-Executive Producer:
Marguerite Henry
Colorist:
Joseph Conarkov
Construction Coordinator:
Emiliano Rios
Costume Designer:
Lindsay Zir
Craft Service:
Karen Grinyer
Dialogue Editor:
John Creed
Director:
Kevin Shulman
Director of Photography:
Jason Oldak
Editor:
Angel Gamboa
Electrician:
Anselm Kennedy
Executive Producer:
Mark S. Pinsker
Fernando Szew
Sharon Bordas
Executive Producer's Assistant:
Maggie McFarren
First Assistant "A" Camera:
Bianca Garcia
Charles Bae
First Assistant Director:
Chris Fishel
Foley Artist:
Dario Biscaldi
Gaffer:
Justin Johnson
Hair Department Head:
Jordana David
Hairstylist:
Jordana David
Key Grip:
Joe Hernandez
Key Makeup Artist:
Ada Trinh
Leadman:
Brian Parada
Legal Services:
Tara Sattler
Tanya Miller
Daniel Gibbons
Line Producer:
Anthony Baldino
Music Supervisor:
Marguerite Henry
On Set Dresser:
Emiliano Rios
Original Music Composer:
Bret Domrose
Post Production Coordinator:
Imran Shaikh
Post Production Supervisor:
Jeremy Benadon
Richard Carroll
Producer:
Shannon E. Riggs
Production Accountant:
Jennifer M. Byrne
Production Assistant:
Jonathan Na
Tanner Lyon
Stephanie Daniela Frey
Matt Skuta
April Thomas
Production Design:
Mikki Mamaril Roew
Property Master:
Caitlin Laingen
Screenplay:
Lyn Woodward
Bonnie Hallman
Blaine Chiappetta
Script Supervisor:
Brian Nowak
Second Assistant Camera:
Charles Alexander
David Broder
Second Assistant Director:
Clifford Breakfield
Ayasylla Ghosn
Set Decoration:
Tiffany Smith
Set Dresser:
Justin Campanella
Andy Hengl
Set Medic:
Marcus Husk
Sound Effects Editor:
John Creed
Sound Mixer:
John E. Walker
Sound Re-Recording Mixer:
Matt Vowles
Steadicam Operator:
Michael Moriatis
Ashly Covington
Joseph B. Hernandez
Still Photographer:
Ashly Covington
Michael Moriatis
Stunt Coordinator:
America Young
Supervising Sound Editor:
Vince Tennant
Thanks:
Keith Munyan
Title Designer:
Jason Hertzberg
Unit Production Manager:
Sonja Mereu
VFX Editor:
Eduardo Arambula
Robert Potter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.