Camouflage (1944) [N/A]

Written by:
Bill Scott

Directed by:
Frank Thomas


Release Date:
January 23, 1944

Original Title:
Camouflage

Genres:
Animation | Documentary

Production Companies:
First Motion Pictures Unit US Army Air Forces
Walt Disney Productions

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 20

A Cartoon In Technicolor

This film is a treasure. It's one of the best examples of the theory and practice of the art of camouflaging military targets from air observation & attack that you'll find anywhere, presented in a highly entertaining Disney style full color animation supplemented by live action film. Hosted by “Yehudi the Chameleon,” the action is centered around a P-39 Airacobra base in the Pacific and is chocked full of useful information & “how-tos.” Some of the many things you'll learn: how camouflage works in Nature, analyzing the specific camouflage needs of your location, theories and application of different camouflages, hiding in shadow, using camouflage netting, creating dummy targets, breaking up distinctive shadow lines that outline structures, concealment by “blending,” making “trees,” hiding routes & paths or creating fake ones, hiding targets in plain sight by adding minimal camouflage and more.

In this US Air Force training film, Hoodie the Chameleon describes the reason for camouflage and decoys for equipment. Also, ground installations against aerial attacks are presented.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Rankings and Honors

Camouflage (1944) on IMDb

Director:
Frank Thomas

Writer:
Bill Scott

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.