A work in constant progress (and occasional regress).
Release Date:
March 3, 1966
Original Title:
Madame X
Genres:
Crime | Drama
Production Companies:
Ross Hunter Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 US: NR
Runtime: 100
A woman married to a wealthy socialite, is compromised by the accidental death of a man who had been romantically pursuing her, and is forced by her mother-in-law to assume a new identity to save the reputation of her husband and infant son. She wanders the world, trying to forget her heartbreak with the aid of alcohol and unsavory men, eventually returning to the city of her downfall, where she murders a blackmailer who threatens to expose her past. Amazingly, she is represented at her murder trial by her now adult son, who is a public defender. Hoping to continue to protect her son, she refuses to give her real name and is known to the court as the defendant, "Madame X."
Art Direction:
Alexander Golitzen
George C. Webb
Assistant Director:
Douglas Green
Camera Operator:
Eddie Pyle
Costumer:
Kathleen McCandless
Dialogue Coach:
Betty A. Griffin
Director:
David Lowell Rich
Director of Photography:
Russell Metty
Editor:
Milton Carruth
Gaffer:
Max Nippell
Grip:
Kenneth Smith
Charles Cowie
Hairstylist:
Larry Germain
Makeup Artist:
Bud Westmore
Music Supervisor:
Joseph Gershenson
Original Music Composer:
Frank Skinner
Producer:
Ross Hunter
Screenplay:
Jean Holloway
Set Decoration:
Howard Bristol
Sound:
Clarence E. Self
Waldon O. Watson
Theatre Play:
Alexandre Bisson
Unit Production Manager:
John Morrison
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.