A work in constant progress (and occasional regress).
Release Date:
August 19, 1961
Original Title:
Ercole alla conquista di Atlantide
Alternate Titles:
Hercule à la conquête de l'Atlantide
Hercules Conquers Atlantis
Hercules and the Captive Women
Hercules and the Conquest of Atlantis
Herkules erobert Atlantis
Hércules a la conquista de la Atlántida
La conquista de la Atlántida
Genres:
Action | Adventure | Fantasy
Production Companies:
Comptoir Français du Film Production (CFFP)
SPA Cinematografica
Production Countries:
France | Italy
Ratings / Certifications:
DE: 12 US: NR
Runtime: 101
King Androcles of Thebes commands a ship in search of a threat to Greece, predicted by an atmospheric oracle. Hercules is part of the crew, but the strongman falls overboard in a thick fog. Washed ashore, he saves a young Ismene from Proteus, an evil, shape-shifting creature. Ismene takes Hercules to Atlantis, where he discovers that her mother, Queen Antinea, has captured Androcles. Hercules schemes to rescue him and thwart Antinea's dream of world conquest.
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Assistant Camera:
Ruggero Radicchi
Saverio Diamante
Boom Operator:
Eugenio Fiori
Camera Operator:
Luigi Filippo Carta
Conductor:
Gino Marinuzzi Jr.
Costume Design:
Vittorio Rossi
Dialogue:
Duccio Tessari
Sandro Continenza
Director:
Vittorio Cottafavi
Director of Photography:
Carlo Carlini
Editor:
Maurizio Lucidi
Makeup Department Head:
Franco Palombi
Original Music Composer:
Gino Marinuzzi Jr.
Producer:
Achille Piazzi
Production Design:
Franco Lolli
Giuseppe Ranieri
Production Manager:
Danilo Marciani
Production Secretary:
Alfredo Petri
Production Supervisor:
Armando Morandi
Screenplay:
Duccio Tessari
Sandro Continenza
Second Assistant Director:
Odoardo Fiory
Second Unit Director:
Giorgio Cristallini
Set Decoration:
Athos Danilo Zanetti
Sound:
Umberto Picistrelli
Sound Recordist:
Mario Ottavi
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.