A work in constant progress (and occasional regress).
Release Date:
August 14, 1981
Original Title:
An Eye for an Eye
Alternate Titles:
A Hora da Vingança
Coups pour coups
Dent pour dent
Golpe por golpe
O Ajuste de Contas
Olho por Olho
เดี่ยวอุตลุด
Genres:
Action | Adventure | Crime
Production Companies:
Adams Apple Film Company
South Street Films
Wescom Barber International
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: TP US: R
Runtime: 106
Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail of drug traffickers into unexpected high places.
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Additional Editor:
Priscilla Nedd-Friendly
Art Direction:
Vance Lorenzini
Assistant Accountant:
Stephanie Rosekind
Assistant Camera:
Peter Berkson
Assistant Director:
Yoram Ben-Ami
Assistant Editor:
Jeff Freeman
Associate Producer:
Mel Novak
James Bruner
Best Boy Electric:
Joe Crowley
Boom Operator:
David Kirschner
Camera Operator:
Dick Colean
Ralph Gerling
Casting:
Cathy Henderson
Barbara Hanley
Construction Coordinator:
Douglas R. Elliott
Costume Supervisor:
Yvonne Kubis
Craft Service:
Richard Olague
Director:
Steve Carver
Director of Photography:
Roger Shearman Jr.
Dolly Grip:
Leo Loverro
Editor:
Anthony Redman
Executive Producer:
Robert Rehme
First Assistant Camera:
Michael D. Weldon
Gaffer:
William Maley
Grip:
William Dreyfuss
Hairstylist:
Pat Grover
Key Grip:
Mike Pantages
Leadman:
Paul Dal Porto
Location Manager:
Jack English
Makeup Artist:
J. Yvonne Curry
Music:
William Goldstein
Music Editor:
Dan Carlin Sr.
Post Production Supervisor:
Paula Benson-Himes
Producer:
Frank Capra, Jr.
Production Accountant:
Andy Howard
Production Coordinator:
Patti Whitman
Production Design:
Sandy Veneziano
Production Manager:
Lee Rafner
Property Master:
Kaye Trapp
Publicist:
Susan Alschuler
Screenplay:
William Gray
James Bruner
Script Supervisor:
Roshani Engineer-Wiskes
Second Assistant Camera:
Jeff Miller
Second Assistant Director:
Louis S. Muscate
Donald P. Borchers
Set Decoration:
Don Watson
Set Designer:
Sandy Veneziano
Sound Effects Designer:
Gene Corso
Sound Mixer:
Richard Tyler
Mel Metcalfe
Richard I. Birnbaum
Ray West
Special Effects:
Roger George
Still Photographer:
Robin Ryan
Story:
James Bruner
Stunt Coordinator:
Aaron Norris
Transportation Captain:
Ralph Pierce
Transportation Coordinator:
Martin T. Hill
Wardrobe Assistant:
Jill Maley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.