A work in constant progress (and occasional regress).
Release Date:
May 25, 2021
Original Title:
The Conjuring: The Devil Made Me Do It
Alternate Titles:
Conjuring 3
Conjuring 3 : Sous l'emprise du diable
Conjuring 3 – Im Banne des Teufels
Conjuring: Sous l'emprise du Diable
Démonok között 3. – Az ördög kényszerített
El conjuro 3: el diablo me obligó a hacerlo
Invocação do Mal 3
Isvarymas 3
Korku Seansı 3
La Conjuration : Sous l'emprise du diable
Obecność 3: Na rozkaz diabła
The Conjuring 3
The Conjuring 3 - Per ordine del Diavolo
The Conjuring 3: A Obra do Diabo
The Conjuring 3: The Devil Made Me Do It
The Conjuring : Sous l'emprise du Diable
The Conjuring: The Devil Made Me Do It
Trăind printre demoni 3
V zajatí démonov 3: Prinútil ma k tomu diabol
Ám Ảnh Kinh Hoàng 3: Ma Xui Quỷ Khiến
Заклинанието 3
Заклятие 3: По воле дьявола
לזמן את הרוע 3: השטן גרם לי לעשות את זה
לזמן את הרוע: בשליחות השטן
الشعوذة: الشيطان أجبرني على القيام بذلك
الشعوذة: الشيطان أجبرني على فعل ذلك
الشعوذة: الشيطان أجبرني على فعلها
الشعوذة: الشيطان جعلني أصنع ذلك
الشعوذة: الشيطان جعلني أفعلها
الشعوذة: الشيطان جعلني أقوم بذلك
เดอะ คอนเจอริ่ง คนเรียกผี 3 มัจจุราชบงการ
厲陰宅3:是惡魔逼我的
死霊館3
死霊館 悪魔のせいなら、無罪。
詭屋驚凶實錄 3 :魔旨 漢語 (zh-HK)
컨저링 3
Genres:
Horror | Mystery | Thriller
Production Companies:
Atomic Monster
New Line Cinema
The Safran Company
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 CA: 14A CH: 16 CZ: 18+ DE: 16 ES: 16 FR: 12|16 GB: 15 GR: Κ-15 HK: IIB HU: 18 IE: 16 JP: R15+ KR: 15 LT: N-16 MX: B NL: 16 NO: 15 NZ: 16 PL: 18 PT: M/16 RO: 15 RU: 18+ SE: 15 SG: NC16 SK: 15 TR: 16+ UA: 16+ US: R
Runtime: 111
Paranormal investigators Ed and Lorraine Warren encounter what would become one of the most sensational cases from their files. The fight for the soul of a young boy takes them beyond anything they'd ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.
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3D Artist:
Reetu Aggarwal
Accounting Clerk Assistant:
Justin Kratzer
Additional Lighting Technician:
Mark Sunderland
Jason Augustin
Art Department Assistant:
Hajr Avant
Cecelia Backiel
Art Department Coordinator:
Lauren Lebow
Assistant Chief Lighting Technician:
Jeff Wallace
Assistant Editor:
Stuart Sperling
Sara Bennett
Best Boy Grip:
Riko Schatke
Matthew C. McCarthy
Boom Operator:
Kurt Peterson
Camera Car:
Scott Montgomery
Camera Operator:
Jesse Roth
Brian Rosso
Camera Production Assistant:
Lexi Guenard
Carpenter:
Jason Redbeard Lewis
Casting:
Anne McCarthy
Kellie Roy
Characters:
Chad Hayes
Carey Hayes
Cinematography:
Michael Burgess
Co-Producer:
Will Greenfield
Construction Coordinator:
Curtis Crowe
Costume Design:
Leah Butler
Costume Supervisor:
Susan L. Bertram
Digital Imaging Technician:
Mark Gilmer
Director:
Michael Chaves
Director of Photography:
Michael Burgess
Dolly Grip:
Darryl Humber
Kenneth Bolton
Editor:
Peter Gvozdas
Christian Wagner
Executive Producer:
Judson Scott
Victoria Palmeri
Dave Neustadter
Michelle Morrissey
Michael Clear
Richard Brener
Executive Producer's Assistant:
Alayna Glasthal
Danielle Bozzone
First Assistant Director:
Jeffrey Wetzel
First Assistant Editor:
Liz Calandrello
Gaffer:
Joshua Davis
Graphic Designer:
Meagen Lee
Grip:
Paul Sanford
Joseph Parker
Tony Gandolfi
Mike Black
Paul Murphy
Hair Department Head:
Adruitha Lee
Hairstylist:
Lance Aldredge
Charmaine Balcerzak
Suzanna Boykin
Jennifer Hodges
Key Grip:
Jeff 'Moose' Howery
Key Hair Stylist:
Melizah Anguiano Wheat
Key Makeup Artist:
Kimberly Jones
Key Rigging Grip:
Chris Lumpkin
Leadman:
Ian J. Anderson
Lighting Technician:
Jerry Wheat
Deon Slacks
Nick Seoane
Louis Rendemonti
Colin Lutke
Jeff LaBaume
Loader:
Caroline Oelkers
Makeup Artist:
Laura Dandridge
Melanie Deforrest
Sarah Graham
Missy Lisenby
Darla Wigley
Makeup Department Head:
Eleanor Sabaduquia
Music Supervisor:
Ian Broucek
On Set Dresser:
Herbie Henderson
Original Music Composer:
Joseph Bishara
Post Production Supervisor:
Tricia Miles
Producer:
James Wan
Peter Safran
Production Design:
Jennifer Spence
Prop Maker:
Reuben Derek Brown
Frank Casaceli
Property Master:
Kate Forry Guanci
Props:
Jonathan Miles DeRosa
Madeline Grayson
Pyrotechnician:
Donny Eidson
Rigging Gaffer:
Mike Robertson
Rigging Grip:
Nicholas Xli Anderson
Scenic Artist:
Faith Farrell
Screenplay:
David Leslie Johnson-McGoldrick
Script Supervisor:
Jody Blose
Second Assistant "A" Camera:
Matthew Haskins
Second Assistant "B" Camera:
Matt Matches
Second Assistant Director:
Joann Connolly
Second Unit Director of Photography:
Jesse Roth
Eric Leach
Second Unit First Assistant Director:
David Waters
Set Costumer:
Jordan Johnson
Maegan Robinson
Set Decoration:
Lisa Son
Set Designer:
Kristen B. Adams
Shana McKay Burns
Kevin Crooks
Al Hobbs
Set Dresser:
Maxwell Britton
Colton Comans
Duncan Fletcher
Jordan Foster
Alexander K. Riba
Sound Designer:
D. Chris Smith
Jason W. Jennings
Sound Effects Editor:
Jon Title
Dave McMoyler
Sound Mixer:
Chris Giles
Sound Re-Recording Mixer:
Michael Babcock
Special Effects Coordinator:
Wayne Rowe
Special Effects Technician:
Kyle A. Wasserman
Ian Sutton
Joel Studer
Steadicam Operator:
BJ McDonnell
Story:
James Wan
David Leslie Johnson-McGoldrick
Storyboard Artist:
Bridget Shaw
Stunt Double:
Emerald Gordon Wulf
Shauna Galligan
Jess Durham
Molly Miller
Supervising Art Director:
Rachel Block
Peter Borck
Julian Scalia
Supervising Sound Editor:
Jason W. Jennings
Unit Production Manager:
Will Greenfield
VFX Artist:
Bryan Haines
Laurent Meste
Ben Sumner
Kamyllia Vasseur
Visual Effects Producer:
Eric Bruneau
Claire Callway
Melanie La Rue
Louis-Charles Lapointe
Ineke Majoor
Virginie Wintrebert
Visual Effects Supervisor:
Arnaud Brisebois
Mark LeDoux
Robert Nederhorst
Josh Simmonds
Olcun Tan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.