A work in constant progress (and occasional regress).
Release Date:
April 6, 1983
Original Title:
Coup de foudre
Alternate Titles:
Ahava Mimabat Rishon
At First Sight
Between Us
Coup De Foudre
Coup de foudre
El flechazo
Entre Nous
Entre nosotras
Entre nous
Entre nous - Traume von Zartlichkeit
Franska vaninnor
Lena og Madeleine
Meidan kesken
Od pierwszego wejrzenia
Paixoes em Tempo de Guerra
Pomiedzy nami
Prestami il rossetto
Toevallige ontmoeting
Villamcsapas
Genres:
Drama | War
Production Companies:
Alexandre Films
Films A2
Hachette Première
Partner's Productions
S.F.P.C.
Production Countries:
France
Ratings / Certifications:
FR: TP
Runtime: 110
In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.
ADR & Dubbing:
Gilbert Crozet
Assistant Director:
Marie Fernández
Fabienne Bichet
Hubert Engammare
Ofer Lelouch
Periclès Prokopiadis
Costume Design:
Mic Cheminal
Director:
Diane Kurys
Director of Photography:
Bernard Lutic
Editor:
Joële Van Effenterre
First Assistant Director:
Emmanuel Gust
Hairstylist:
Jacques Michel
Pierre Vadé
Makeup Artist:
Joël Lavau
Anne Bourdiol
Maryse Faure
Jean-Pierre Eychenne
Original Music Composer:
Luis Bacalov
Producer:
Ariel Zeitoun
Production Design:
Jacques Bufnoir
Sound:
Alix Comte
Harald Maury
Sound Assistant:
Gérard Lecas
Dominique Duchatelle
Writer:
Alain Le Henry
Diane Kurys
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.