Home

Professor Marston and the Wonder Women (2017) [R]

Release Date:
October 13, 2017

Original Title:
Professor Marston and the Wonder Women

Alternate Titles:
El profesor Marston y las mujeres maravilla
La genesi di Wonder Woman
Professor Marston & The Wonder Women
Professor Marston e as Mulheres-Maravilhas
Wonder Women y el profesor Marston
פרופסור מורסטון ונשות הפלא
פרופסור מרסטון והוונדרוומן
פרופסור מרסטון ונשות הוונדר
פרופסור מרסטון ונשות הוונדרוומן
פרופסור מרסטון ונשות החיל
원더우먼 스토리

Genres:
Drama | Romance

Production Companies:
Boxspring Entertainment
Opposite Field Pictures
Topple Productions

Production Countries:
United States of America

Ratings / Certifications:
BE: 14  BR: 16  DE: 12  GB: 15  IE: 16  JP: PG12  NL: 12  PL: 16  PT: M/16  SE: 11  US: R 

Runtime: 108

Ever wonder?

Overview from TheMovieDB

The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR & Dubbing:
Kristen Hirlinger

ADR Mixer:
Daniel Timmons

Assistant Editor:
Ruben Sebban

Assistant Property Master:
Justin Bliss

Assistant Sound Editor:
Austin Katzer

Boom Operator:
Santino Tartaglia

Camera Operator:
Joseph Lavallee

Casting:
Eve Battaglia
Angela Peri

Co-Executive Producer:
Kai Cole
Buzz Koenig
Clare Munn

Conductor:
Lyubomir Denev Jr.

Construction Coordinator:
Kurt Smith

Costume Design:
Donna Maloney

Costume Supervisor:
Virginia B. Johnson

Dialect Coach:
Kohli Calhoun

Director:
Angela Robinson

Director of Photography:
Bryce Fortner

Dolly Grip:
Jennifer Evans

Editor:
Jeffrey M. Werner

Electrician:
Aaron Tyburski

Executive Producer:
Joey Soloway
Andrea Sperling

First Assistant Camera:
Nolan Ball
Darryl Byrne
Christian J. Hollyer

First Assistant Director:
Eric Berkal

Foley Artist:
Vicki O'Reilly Vandegrift

Foley Editor:
Joey Eckley

Foley Mixer:
Jesus Lopez

Gaffer:
Jesse Goldberg

Grip:
Michael Geoghegan

Hair Department Head:
Shayna Passaretti

Key Grip:
Woody Bell

Key Makeup Artist:
Angela Marinis

Leadman:
Guy L. Bermel

Line Producer:
Michael Bowes

Location Manager:
Peter Gonzalez

Location Scout:
Peter Gonzalez

Makeup Department Head:
Sasha Grossman

Music:
Adam Bennati

Music Editor:
Joanie Diener

Music Supervisor:
Howard Paar

Orchestrator:
David Butterworth
Laurence Chapman

Original Music Composer:
Tom Howe

Post Production Accountant:
Jennifer M. Byrne

Post Production Supervisor:
Eric Bergman
J. E. Moore

Producer:
Terry Leonard
Amy Redford

Production Coordinator:
Janelle Canastra

Production Design:
Carl Sprague

Production Supervisor:
Michael Steiner

Property Master:
Hilary Taillie

Publicist:
Guido Gotz

Scenic Artist:
Kim Codner
Carrie Capizzano
Amber Subelka

Script Supervisor:
Lisa Arnone

Second Assistant Director:
Eric Altieri
Katie Kramer
Alex Schwerin

Set Costumer:
Gianna Soprano

Set Decoration:
Danica Chipman

Set Dresser:
Sean Martin
John B. Wilson
Adam Roffman

Sound Effects Editor:
Benjamin Gieschen

Sound Mixer:
Jared Detsikas

Sound Re-Recording Mixer:
James Parnell
Chris David

Still Photographer:
Claire Folger

Stunt Coordinator:
Paul Marini
Shawnna Thibodeau

Stunts:
Christopher Jon Gombos
A.J. Paratore
Christopher Walsh

Visual Effects Supervisor:
Eliza Pelham Randall

Writer:
Angela Robinson

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.