A work in constant progress (and occasional regress).
Release Date:
October 25, 2016
Original Title:
HyperNormalisation
Alternate Titles:
HyperNormalization
하이퍼노멀라이제이션
하이퍼노멀리제이션
Genres:
Documentary
Production Companies:
BBC
Production Countries:
United Kingdom
Ratings / Certifications:
GB: 12
Runtime: 167
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Archival Footage Research:
Stuart Robertson
Colorist:
Nuala Sheridan
Director:
Adam Curtis
Executive Producer:
Victoria Jaye
Music Supervisor:
Gavin Miller
Online Editor:
George Winfield
Mark Wybourn
Producer:
Sandra Gorel
Production Assistant:
Tomiko Newson
Production Coordinator:
Katie Spedding
Production Manager:
Cara Goold
Sound Mixer:
Nick Fry
Sound Recordist:
Dave Zarpak
Technical Advisor:
Kumail Tayyebkhan
Thanks:
Robert Del Naja
Writer:
Adam Curtis
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.