A work in constant progress (and occasional regress).
Release Date:
March 9, 1997
Original Title:
To Dance with Olivia
Genres:
Drama | Romance | TV Movie
Production Companies:
Carnegie Hill Entertainment
Finnegan/Pinchuk Productions
Logo Entertainment
Sonar Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 91
A lawyer trying to cope with his son's accidental death takes on a case where a farmer is charged with booby trapping a watermelon patch with a shotgun which went off and injured a young boy. But in choosing to defend the farmer, he puts himself at odds with the boy's father, an old friend who is politically influential. In dealing with this case, he is forced to confront his own son's death and his wife's slippage into being a virtual recluse.
Art Direction:
Geoffrey S. Grimsman
Assistant Editor:
Vesna Svilanovic
Casting:
Mary V. Buck
Susan Edelman
Co-Producer:
H. Haden Yelin
Costume Designer:
Peggy Farrell
Costume Supervisor:
Alonzo Wilson
Dialogue Editor:
Mark Gingras
Alastair Gray
Director:
Bruce Pittman
Director of Photography:
Frank P. Flynn
Editor:
Ralph Brunjes
Executive Producer:
Hillard Elkins
Dennis Considine
Louis Gossett Jr.
First Assistant Director:
Michele Ziegler
Hairstylist:
Nancy Brown
Line Producer:
Ric Rondell
Makeup Artist:
Gigi Coker
Joyce Etheridge
Music Coordinator:
Seymour Red Press
Music Editor:
Lori Slomka
Original Music Composer:
David Shire
Post Production Supervisor:
Ralph Brunjes
Producer:
Patricia Finnegan
Production Designer:
David Ensley
Production Supervisor:
Eleanor Hemingway
Script Supervisor:
Christine Moore
Second Assistant Director:
Rick Clark
Set Decoration:
Frank Galline
Sound Mixer:
Carl Rudisill
Special Effects:
Mike Schorr
Unit Production Manager:
Ric Rondell
Writer:
H. Haden Yelin
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.